conservation

Posted in Behind the Scenes, J. Paul Getty Museum, Prints and Drawings

Behind the Scenes of a Special Exhibition at the Getty

Maxime LaLanne / Castle Overlooking a River
Gift of Richard A. Simms.

How a drawings show takes shape. More»

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Posted in Behind the Scenes, Conservation, J. Paul Getty Museum

Cleaning 700 Square Feet of Precious Tapestry

Weavers conserve a tapestry at the Gobelins Manufactory
Photo courtesy of the Gobelins Manufactory

Tapestries once owned by Louis XIV receive a high-tech cleaning. More»

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Posted in Behind the Scenes, Conservation, Sculpture and Decorative Arts

Revitalizing Barbara Hepworth’s Figure for Landscape

Figure 3: Figure for Landscape, 1960, Barbara Hepworth. Bronze. The J. Paul Getty Museum, Gift of Fran and Ray Stark, 2005.108. © Bowness. After treatment on the Fran and Ray Sculpture Terrace.
Figure 3: Figure for Landscape, 1960, Barbara Hepworth. Bronze. The J. Paul Getty Museum, Gift of Fran and Ray Stark, 2005.108. © Bowness. After treatment on the Fran and Ray Sculpture Terrace.

A behind-the-scenes look at restoring Barbara Hepworth’s 1960 sculpture “Figure for Landscape.” More»

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Posted in Art, Getty Conservation Institute

Artist William Pope.L on Humor, Race, and God

Obi Sunt (Production Image from the making of Obi Sunt), 2015, William Pope.L. Courtesy of the Artist © Pope.L
Obi Sunt (Production Image from the making of Obi Sunt), 2015, William Pope.L. Courtesy of the Artist © Pope.L

Pope.L takes our questions about his practice and the future of his work. More»

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Posted in Art, Getty Conservation Institute, Sculpture and Decorative Arts

Artist Grimanesa Amorós on the Value of Public Art

The Mirror Connection | Beijing, China
© Grimanesa Amorós

A chat with the sculptor and installation artist. More»

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Posted in Behind the Scenes, Conservation, Sculpture and Decorative Arts

Look Deep Inside a French Bronze Sculpture

Detail of Boreas Abducting Orithyia

Conservators use X-rays and a videoscope to unlock the secrets of a bronze sculpture. More»

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Posted in Ancient World, Antiquities, Conservation

Bronze Patinas, Noble and Vile

Detail of patina on a Roman bronze statue of Cupid
Statue of the Infant Cupid (detail), Roman, A.D. 1–50, Roman. Bronze with silver and copper, 25 3/16 in. high. The J. Paul Getty Museum, 96.AB.53

They’re all made from the same stuff, so why do bronze statues come in so many different colors? More»

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Posted in Getty Conservation Institute, J. Paul Getty Museum, Paintings

A Hidden Rembrandt Has Been Digitally Reconstructed in Color

Tentative color reconstruction of the hidden portrait under An Old Man in Military Costume
Tentative color reconstruction of the hidden portrait under An Old Man in Military Costume

A hidden Rembrandt is revealed. More»

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Posted in Art, Getty Foundation, Philanthropy

A Look Back at the Fund for New Orleans, 10 Years after Hurricane Katrina

Southern University of New Orleans (SUNO) Graduate Student Erika Witt holds her favorite mask in the university’s African Art Collection in preparation for a 2015 exhibition on campus as part of her graduate degree in Museum Studies. Photo: Master of Arts in Museums Studies Program, Center for African and African American Studies, SUNO
Southern University of New Orleans (SUNO) Graduate Student Erika Witt holds her favorite mask in the university’s African Art Collection in preparation for a 2015 exhibition on campus as part of her graduate degree in Museum Studies. Photo: Master of Arts in Museums Studies Program, Center for African and African American Studies, SUNO

How are cultural organizations faring, 10 years after the Katrina disaster? More»

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Posted in Behind the Scenes, Getty Foundation, Paintings

How I Look at Art as a Conservator

Sara Mateu examines the reverse of a panel painting
Sara Mateu examines the reverse of a panel painting.

What is it like to be a panel paintings conservator? More»

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      Photography of Troubled Dreams

      Japanese photographer Shiga Lieko works with local communities, immersing herself in them and incorporating their histories and myths into her photographs. Her series Rasen Kaigan (Spiral Shore) was created between 2009 and 2012 in Kitakama, Japan, a coastal village devastated by the earthquake and tsunami of March 11, 2011. The images possess a dreamlike, postapocalyptic quality that evokes myth, natural disaster, and trauma.

      Six from the series are included in the exhibition The Younger Generation: Contemporary Japanese Photography (through February 21).

      Three images from Shiga Lieko’s series Rasen Kaigan (Spiral Shore), from top: Rasen Kaigan 39 and Portrait of Cultivation, 2009; Rasen Kaigan 21, 2012. Chromogenic prints. The J. Paul Getty Museum, Purchased with funds provided by the Photographs Council, 2015.1.2.–.4 © Shiga Lieko

      02/13/16

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