Posted in Behind the Scenes, Getty Villa

Aeschylus’s Persian Queen: An Actor’s Craft

SITI Company rehearses Persians
In rehearsal: Ellen Lauren (foreground) as the queen of Persia; Will Bond (left) as the Messenger

Bringing alive an ancient queen. More»

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Posted in Ancient World, Getty Villa, J. Paul Getty Museum

A Guide to Aeschylus’s “Persians”

Ellen Lauren as Persian Queen Atossa against a backdrop of golden drapery
Play in progress: Ellen Lauren as Persian Queen Atossa against a backdrop of golden drapery. Photo: Sara Radamacher

A theater-goer’s guide to the western world’s oldest play. More»

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Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

“Persians,” An Ancient Play Remade for the 21st Century

Persians by Aeschylus

Director Anne Bogart on remaking the Western world’s oldest play for the 21st century. More»

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Posted in Behind the Scenes, J. Paul Getty Museum

In Search of Euripides’ Helen

Euripides Helen at the Getty Villa

For over a year I’ve had the pleasure of working as a dramaturge with Nick Salamone, the playwright of this year’s Villa outdoor theater production of Euripides’ Helen. During rehearsals this summer I got together with Nick and director Jon… More»

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      #ProvenancePeek: Winslow Homer at the Met

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      The provenance of this Winslow Homer marine, or seascape, is relatively straightforward as these things go. It was entered into the stock books of M. Knoedler and Co, prominent New York art dealers, in October of 1901. Knoedler & Co purchased the painting, titled Cannon Rock, from Chicago pastor and educator Dr. Frank Gunsaulus on October 24, 1901. Just over two weeks later, on November 9, the firm sold it to art collector and dry goods merchant George Arnold Hearn. Hearn made a gift of his collection to the Metropolitan Museum of Art in 1906, and that is where Cannon Rock has lived ever since.

      This seascape is one of Homer’s later works, notable for its flatness. Homer spent the last 25 years of his life living in coastal Maine, painting land- and seascapes that both respect and challenge nature’s authority. Cannon Rock’s mellow provenance tale belies the powerful scene it presents.

      The stock books of the Knoedler Gallery have recently been transformed into a searchable database which anyone can query for free.

      Cannon Rock, 1895, Winslow Homer. Oil on canvas, 40 x 40 in. The Metropolitan Museum of Art, New York, Gift of George A. Hearn, 1906 (above); pages from the Knoedler stock and sales books listing the painting (below).


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.


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