Episcopal Church

Posted in Art, Exhibitions and Installations, J. Paul Getty Museum

Bigger Than Ourselves: Episcopal Priest Dr. Gwynne Guibord on Finding the Sacred through Art

Panels from the Ancestors of Christ Windows, Canterbury Cathedral, England, 117880. Colored glass and vitreous paint; lead came. Courtesy Dean and Chapter of Canterbury
Panels from the Ancestors of Christ Windows, Canterbury Cathedral, England, 1178–80. Colored glass and vitreous paint; lead came. Courtesy Dean and Chapter of Canterbury

“All space, all beings, and all creation is sacred—but we don’t walk through life seeing it that way. Art offers a transition, helping us leave behind the secular world and move into a sacred place.” More»

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      everyartisthasabday:

      Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top.

      Boticelli believed he was living through the Tribulation, which is clear in the mysterious inscription:

      This picture, at the end of the year 1500, in the troubles of Italy, I Alessandro, in the half-time after the time, painted, according to the eleventh chapter of Saint John, in the second woe of the Apocalypse, during the release of the devil for three-and-a-half years; then he shall be bound in the twelfth chapter and we shall see [him buried] as in this picture.

      It is the only surviving work with his signature.

      03/02/15

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