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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Research

A Look Inside the Getty’s Conservation Collection

Seeley Brothers, manufacturers of Averill Paint, ready for use
Inside the book Seeley Brothers, manufacturers of Averill Paint, ready for use (New York: Seeley Brothers, ca. 1886). ID No. 2870-944

From reference tomes to textile cuttings, a collection for every conservation query. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute

Conservation Tools: The Microfading Tester

Vincent Beltran uses a microfading tester on a tapestry from the Getty Museum’s collection

Measuring color changes in light-sensitive works of art. More»

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Posted in Conservation, Getty Conservation Institute, Sculpture and Decorative Arts

Outdoor Sculpture at Long Beach Campus Gets a Fresh Look

Duet after repainting. Courtesy University Art Museum, California State University, Long Beach
Duet after repainting. Courtesy University Art Museum, California State University, Long Beach

CSU Long Beach’s remarkable outdoor sculpture collection is being newly conserved More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute

Moving On Up

Staff visit to the Getty Conservation Institute, being constructed in the 1990s
Senior staff and members of the transition team visit the Conservation Institute during construction.

A look back at the Getty Conservation Institute’s move to the Getty Center. More»

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Posted in Conservation, Getty Conservation Institute

Conservation Tools: The Handheld Loupe

Getty Conservation Institute project specialist Tram Vo examines a color photographs with a handheld loupe
Getty Conservation Institute project specialist Tram Vo examines color photographs with a handheld loupe to identify the process used to create them.

A handheld magnifying loupe helps conservators study historic photographs with the naked eye More»

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Posted in Architecture and Design, Conservation, Getty Conservation Institute

HistoricPlacesLA Catalogues Over 25,000 of L.A.’s Most Significant Buildings and Sites

North Broadway-Buena Vista Street Bridge
North Broadway-Buena Vista Street Bridge

Explore Los Angeles history online with HistoricPlacesLA. More»

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Posted in Conservation, Getty Conservation Institute, J. Paul Getty Museum, Paintings

Studying Picasso’s “Woman”

Studying Picasso's Femme at the Getty
Fondation Beyeler, Riehen/Basel, Beyeler Collection. © 2015 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

A close look at Picasso’s paints. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute

Conservation Tools: Fourier-Transform Infrared Spectroscopy (FTIR)

Portrait of scientist Herant Khanajian in a Getty Conservation Institute lab with an FTIR machine
Herant Khanajian in a Getty Conservation Institute lab with an FTIR machine

This technique allows conservation scientists to identify materials from the tiniest of samples. More»

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Posted in Behind the Scenes, Getty Conservation Institute

Thirty Years of Advancing Conservation Practice

Scientist works in a lab with acrylic paint
In 2007, the Conservation Institute began scientific research in modern artists materials, including paints and plastics.

A look back at the first 30 years of the Getty Conservation Institute, which turns 30 in 2015. More»

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Posted in Art, Getty Conservation Institute, Getty Foundation

Conserving Mosaics in the Middle East and North Africa, A MOSAIKON Trainer’s Account

mosaikon-1
A participant in 2014 MOSAIKON training workshop organized by the Centro di Conservazione Archeologica (CCA) and supported by the Getty Foundation conserves a second-century Roman mosaic

A conversation with mosaics expert Roberto Nardi about conservation training. More»

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    • photo from Tumblr

      What is sunrise like at the Getty?

      “The fog was so thick we couldn’t see the sunrise when it came at 5:47am PT. There was no gong, no fanfare. Many of us were oblivious, engrossed in conversations with old friends or new acquaintances, awkwardly touching each other as per Ono’s instructions, or contemplating the obscured landscape. I looked at my companions, asking them “Was that it? Did we miss it?” That was it, but we hadn’t missed it at all.

      Piece by hyperallergic‘s Matt Stromberg. Read in full here.

      07/06/15

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