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Posted in Getty Research Institute, Manuscripts and Books, Research

Treasures from the Vault: The Research Papers of Elizabeth Roth, Keeper of Prints and Rare Books at the NYPL

Design for Fireworks Display
This print shows the design for a fireworks display that was scheduled to take place on June 22, 1763, near the Place Louis XV in Paris; the event was in celebration of the treaties marking the end of the Seven Years' War. The display features a façade elevated on a rocky island on the Seine and topped with an equestrian statue placed under a slender arch. Palm trees, exotic animals, putti, and allegorical figures appear among the rocks, while spectators are gathered on the shore.

A life’s work devoted to the unique art of festival books. More»

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Posted in Behind the Scenes, Getty Research Institute, Research

Pictures for Education: The Records of Art Dealer M. Knoedler & Co.

16114v.jpg
Booker T. Washington, 1905–45, Harris & Ewing. Library of Congress, Prints and Photographs Division, LC-H25- 14111-B

Booker T. Washington appears in the M. Knoedler archive. More»

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Posted in Exhibitions and Installations, Getty Research Institute, Prints and Drawings

Louis XIV’s Golden Dome

Facade of the Church of the Invalides / Pierre Lepautre after Jules Hardouin-Mansart
Facade of the Church of the Invalides, 1687, Pierre Lepautre after Jules Hardouin-Mansart. Etching and engraving from a bound volume of 14 prints (Bâtiments du roi, Paris, 1687). The Getty Research Institute, 1392-604

A rare print for the dome of the Invalides in Paris reflects Louis XIV’s ambitions to make Paris “a new European center of architectural magnificence.” More»

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Posted in Behind the Scenes, Getty Research Institute

6 Questions for the Getty’s Institutional Archivist

Nancy Enneking, Head of Institutional Records at the Getty, reviews photographs with her team of institutional archivist.
Nancy Enneking, Head of Institutional Records at the Getty, reviews photographs with her team of institutional archivist.

From a model of the Getty Center to a corrupt floppy disk, it’s all in there. More»

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Posted in Behind the Scenes, Getty Research Institute

Grad Intern Diary: Nathaniel Deines

Nathaniel Deines in the Library at the Getty Research Institute

Pertinacia, scientia, spes. More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Louis XIV, the Original King of Viral Media

Louis le Grand / Pierre Drevet after Hyacinthe Rigaud
Louis le Grand 1714–1715, Pierre Drevet after Hyacinthe Rigaud. Engraving. The Getty Research Institute, 2011.PR.13

The original tech-savvy celebrity. More»

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Posted in Behind the Scenes, Getty Foundation, Research

Thirty-Eight Scholars Will Visit the Getty to Study the Materials of Art and the History of Classical Egypt

Monica Juneja, Matthew Robb, and Larry A. Silver
2014–15 scholars Monica Juneja, Matthew Robb, and Larry A. Silver in conversation at the Getty Research Institute

Thirty-eight scholars will pursue research at the Getty for coming scholar year. More»

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Posted in Art, Getty Research Institute, Photographs, Film, and Video

This Just In: Fantastic Island

Image from Fantastic Island / Patricia Lagarde
© Patricia Lagarde

An old fishing boat inspires a fantastic tale of heroism and disaster. More»

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Posted in Art, Behind the Scenes, Getty Research Institute

Treasures from the Vault: The Business Files of Harald Szeemann

Wine box used by Harald Szeemann to file his business papers
Szeemann's handy filing system: wine boxes. Here, Merlot + Marrakech.

Wine, meticulous receipts, and reimagined police tape in the curator’s files. More»

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Posted in Art, Getty Research Institute, Photographs, Film, and Video

Treasures from the Vault: Malcolm Lubliner’s Photographs of the L.A. Art Scene

Jasper Johns, 1968, Malcolm Lubliner
© Malcolm Lubliner Photograph

Photographic portraits of some of the 20th century’s most notable artists. More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour you can hear multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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