Liber Amicorum

Posted in Art, Exhibitions and Installations, Getty Research Institute, Manuscripts and Books

When Spray Cans Meet Quill Pens

Work by Krush, featured on a wall curated by Axis at ESMoA’s “Scratch” exhibit 
Courtesy Getty Research Institute
Work by Krush, featured on a wall curated by Axis at ESMoA’s “Scratch” exhibit Courtesy Getty Research Institute

A new exhibition pairs rare books from the 15th to 18th centuries with a contemporary collaboration between Los Angeles graffiti artists. More»

Also tagged , , , , 1 Response
Posted in Art, Getty Research Institute, Manuscripts and Books, Research

16th-Century Album Records Social Network of Europeans in Istanbul

Leaf 119 verso and 120 recto from Johann Joachim Prack von Asch’s liber amicorum (book of friends), 1587–1612. The Getty Research Institute, 2013.M.24
Leaf 119 verso and 120 recto from Johann Joachim Prack von Asch’s liber amicorum (book of friends), 1587–1612. The Getty Research Institute, 2013.M.24

Newly acquired “book of friends” provides insight into European contact with the Ottoman Empire. More»

Also tagged , , , Leave a comment
Posted in Art, Manuscripts and Books, Research, Voices

The Getty Graffiti Black Book

LALiberAmicorum_earlymeeting
One of the first looks at some of the pages for the Getty Graffiti Black Book. We examined a few of our special collections volumes to compare illustrations.

A cross-century, cross-community collaboration between L.A. graffiti and tattoo artists—in the tradition of Albrecht Dürer. More»

Also tagged , , , , , , , , , , 4 Responses
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour you can hear multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

  • Flickr