Liber Amicorum

Posted in Art, Exhibitions and Installations, Getty Research Institute, Manuscripts and Books

When Spray Cans Meet Quill Pens

Work by Krush, featured on a wall curated by Axis at ESMoA’s “Scratch” exhibit 
Courtesy Getty Research Institute
Work by Krush, featured on a wall curated by Axis at ESMoA’s “Scratch” exhibit Courtesy Getty Research Institute

A new exhibition pairs rare books from the 15th to 18th centuries with a contemporary collaboration between Los Angeles graffiti artists. More»

Also tagged , , , , 1 Response
Posted in Art, Getty Research Institute, Manuscripts and Books, Research

16th-Century Album Records Social Network of Europeans in Istanbul

Leaf 119 verso and 120 recto from Johann Joachim Prack von Asch’s liber amicorum (book of friends), 1587–1612. The Getty Research Institute, 2013.M.24
Leaf 119 verso and 120 recto from Johann Joachim Prack von Asch’s liber amicorum (book of friends), 1587–1612. The Getty Research Institute, 2013.M.24

Newly acquired “book of friends” provides insight into European contact with the Ottoman Empire. More»

Also tagged , , , Leave a comment
Posted in Art, Manuscripts and Books, Research, Voices

The Getty Graffiti Black Book

LALiberAmicorum_earlymeeting
One of the first looks at some of the pages for the Getty Graffiti Black Book. We examined a few of our special collections volumes to compare illustrations.

A cross-century, cross-community collaboration between L.A. graffiti and tattoo artists—in the tradition of Albrecht Dürer. More»

Also tagged , , , , , , , , , , 4 Responses
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      An Infrared reflectogram of a painting by Andrea Del Sarto reveals an architectural drawing beneath. Could it be a compositional underdrawing of a Pietro Perugino painting? 

      “What an odd discovery! It was one of those moments I’ll never forget. It’s humbling to realize how little we really know about major artists who worked so long ago, and a little glimpse such as this makes that all the more apparent.” —Getty Museum Drawings Curator Julian Brooks

      Read more on this discovery on The Getty Iris here.

      09/03/15

  • Flickr