paintings loans

Posted in Art, J. Paul Getty Museum, Paintings

What Makes an Artist Great? Curator Scott Schaefer on Vermeer

Woman in Blue Reading a Letter / Johannes Vermeer as installed at the Getty Center
Rijksmuseum, Amsterdam. On loan from the City of Amsterdam (A. van der Hoop Bequest)

Johannes Vermeer is a beloved artist. Is he also a great one? More»

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Posted in J. Paul Getty Museum, Paintings

Fragonard’s “Fantasy Portrait” of Dashing French Duke on Temporary Loan

François-Henri, Duke of Harcourt / Jean-Honoré Fragonard

A delightfully jaunty visitor has alighted for a long-term visit at the Getty Center: François-Henri, Duke of Harcourt (1726–1802), in a portrait by Fragonard. Dashing in sea-green velvet, with a white ruff and red cape, the duke holds a feathered… More»

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Posted in Art, J. Paul Getty Museum, Paintings

A Horse, Of Course! Curator Anne Woollett on Equine Painting

The "Piebald" Horse,  Paulus Potter, Dutch, about 1650 - 1654, Oil on canvas, 19 1/2 x 17 11/16 in., The J. Paul Getty Museum
The "Piebald" Horse

Horses have been the subject of paintings, sculptures, drawings, and other renderings for thousands of years. They have been depicted as companions of man, within picturesque landscapes, and in dynamic races, chases, and battles. Anne Woollett, curator of paintings at… More»

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Posted in Conservation, J. Paul Getty Museum, Paintings

Madonna and Child Visit from Hearst Castle

Madonna and Child / school of Duccio di Buoninsegna

Starting tomorrow, a golden Virgin and Child from Duccio di Buoninsegna’s workshop will be adorning the Getty Center paintings galleries (North Pavilion, Gallery 201). Paintings by Duccio are astoundingly rare—there are fewer than 15 in existence, the Maestà in Siena… More»

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Posted in Art, J. Paul Getty Museum, Paintings

Anatomy of a Horse Painting

The Piebald Horse / Paulus Potter

In George Stubbs’s Brood Mares and Foals, which arrived at the Museum in October as a temporary anonymous loan, horses are sympathetically portrayed within the bucolic landscape of the English countryside. The overriding mood is idyllic, as a small coterie… More»

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      #ThyCaptionBe: Warnings to the Rich & Powerful

      You captioned this detail. And we’re revealing the full story now.

      It would be awesome if this was Medieval hangman, or a really awkward frat party, but it’s actually the result of a one-letter swap gone wrong in a book about the fates of the rich. 

      Here’s the full story:

      You sometimes regret what pops out unexpectedly when you open your mouth, but in this case, even the fish must have been quite surprised when a wooly lamb burst forth. 

      The stories in this text by Giovanni Boccaccio warn of the terrible fate that often awaits the rich and powerful. He uses here the example of King Polycrates, who tossed a ring into a river, hoping for good luck, and found it later in the mouth of a fish. 

      Someone got confused, though, and instead of a ring (in French, annel), what came out instead was a lamb (agnel). Apparently, neither the ring nor the lamb worked because the king was later hanged (background).

      #ThyCaptionBe is a celebration of modern interpretations of medieval aesthetics. You guess what the heck is going on, then we myth-bust.

      08/31/15

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