paintings loans

Posted in Art, J. Paul Getty Museum, Paintings

What Makes an Artist Great? Curator Scott Schaefer on Vermeer

Woman in Blue Reading a Letter / Johannes Vermeer as installed at the Getty Center
Rijksmuseum, Amsterdam. On loan from the City of Amsterdam (A. van der Hoop Bequest)

Johannes Vermeer is a beloved artist. Is he also a great one? More»

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Posted in J. Paul Getty Museum, Paintings

Fragonard’s “Fantasy Portrait” of Dashing French Duke on Temporary Loan

François-Henri, Duke of Harcourt / Jean-Honoré Fragonard

A delightfully jaunty visitor has alighted for a long-term visit at the Getty Center: François-Henri, Duke of Harcourt (1726–1802), in a portrait by Fragonard. Dashing in sea-green velvet, with a white ruff and red cape, the duke holds a feathered… More»

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Posted in Art, J. Paul Getty Museum, Paintings

A Horse, Of Course! Curator Anne Woollett on Equine Painting

The "Piebald" Horse,  Paulus Potter, Dutch, about 1650 - 1654, Oil on canvas, 19 1/2 x 17 11/16 in., The J. Paul Getty Museum
The "Piebald" Horse

Horses have been the subject of paintings, sculptures, drawings, and other renderings for thousands of years. They have been depicted as companions of man, within picturesque landscapes, and in dynamic races, chases, and battles. Anne Woollett, curator of paintings at… More»

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Posted in Conservation, J. Paul Getty Museum, Paintings

Madonna and Child Visit from Hearst Castle

Madonna and Child / school of Duccio di Buoninsegna

Starting tomorrow, a golden Virgin and Child from Duccio di Buoninsegna’s workshop will be adorning the Getty Center paintings galleries (North Pavilion, Gallery 201). Paintings by Duccio are astoundingly rare—there are fewer than 15 in existence, the Maestà in Siena… More»

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Posted in Art, J. Paul Getty Museum, Paintings

Anatomy of a Horse Painting

The Piebald Horse / Paulus Potter

In George Stubbs’s Brood Mares and Foals, which arrived at the Museum in October as a temporary anonymous loan, horses are sympathetically portrayed within the bucolic landscape of the English countryside. The overriding mood is idyllic, as a small coterie… More»

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      The Queen Who Wasn’t

      Louis XIV clandestinely wed his mistress, Madame de Maintenon, at Versailles on October 9 or 10, 1683. The marriage was much gossiped about but never openly acknowledged. She was never queen.

      Madame de Maintenon had been the {judgy} governess to Louis XIV’s children by his previous mistress, Madame de Montespan. Louis gave these children moneyed titles—such as the comte de Toulouse, who ordered the tapestries shown here for his residence outside Paris.

      Louis’s secret marriage ushered in a period of religious fervor, in sharp contrast to the light-hearted character of his early reign. Madame de Maintenon was known for her Catholic piety, and founded a school for the education of impoverished noble girls at Saint-Cyr in 1686 that stayed in operation until 1793. This engraving of the Virgin and Child was dedicated to her by the king.

      Virgin and Child, late 1600s, Jean-Louis Roullet after Pierre Mignard; Johann Ulrich Stapf, engraver. The Getty Research Institute. Tapestries from the Emperor of China series. The J. Paul Getty Museum


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