PSTinLA

Posted in Behind the Scenes, Exhibitions and Installations, Getty Foundation

Art Historians Share Progress on Exhibitions for Pacific Standard Time: LA/LA

Discussion panel during the Pacific Standard Time workshop at the Getty Center, October 2014
Discussion panel during the Pacific Standard Time: LA/LA workshop

Work is in full swing on dozens of Pacific Standard Time exhibitions slated for 2017. More»

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Posted in Architecture and Design, Art

Architecture as Art in Culver City

BeehiveHoriz

“Public art can contribute to defining a city’s identity and to unifying its vision,” and buildings contribute to this identity too! More»

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Posted in Architecture and Design, Behind the Scenes, Conservation, Getty Research Institute

Conserving Architectural Models: Behind the Scenes in the Research Institute Conservation Lab

Tom Learner and Juliane Wattig, working on an architectural model
Photo: Scott S. Warren

How are architectural models conserved? A look at the field, and two displayed in “Overdrive.” More»

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Posted in Architecture and Design, Exhibitions and Installations, Getty Research Institute, J. Paul Getty Museum

Subterranean L.A.: The Urban Oil Fields

Union 76 Refinery / Connell
Union 76 Refinery at Night, about 1950, Will Connell. Gelatin silver print, 18 1/4 x 23 1/4 x 1/4 in. Lent by Stephen White, Collection II. Artwork © Will Connell

Since the 1890s, Los Angeles has literally and figuratively been built upon acres of ancient oil deposits deep beneath its shifting surface. More»

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Posted in Architecture and Design, Voices

My L.A.: The Once and Future Golden Gate Theater

Golden_Gate_Theater_East_Los_Angeles

Hollow and in disrepair, it embodied the reason I wanted to leave Los Angeles. I was wrong. More»

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Posted in Architecture and Design, Voices

My L.A.: St. John’s Cathedral, Monument of Serenity

A Romanesque gem in West Adams, St. John's Episcopal Cathedral opened its doors in 1925. Photo: Kansas Sebastian, CC BY-NC-ND 2.0
Kansas Sebastian, CC BY-NC-ND 2.0

Though overshadowed by modern icons, beautifully crafted buildings like St. John’s are an important part of our architectural heritage. More»

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Posted in Architecture and Design, Voices

My L.A.: Learning to Love Baskin-Robbins

Burbank Baskin-Robbins ice cream store
Great architecture? Perhaps not. Community hub? Definitely.

What makes a building into a community gathering spot? Sometimes a nondescript exterior gives way to sugary goodness inside. More»

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Posted in Architecture and Design, Conservation, Getty Conservation Institute

Architecture Critic Paul Goldberger Advises “Don’t Squeeze Out All the Fresh Air”

Paul Goldberger
Paul Goldberger

“We’re much more sensitive in general to historic buildings than we once were.” How to move forward while preserving the past. More»

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Posted in Architecture and Design, Exhibitions and Installations

Explore “Pacific Standard Time Presents: Modern Architecture in L.A.” on Newly Launched Website

Highways 5, 10, 60, and 101 Looking West, L.A. River and Downtown Beyond / Michael Light
Courtesy of and © Michael Light and Craig Krull Gallery, Santa Monica

Browse around L.A. faster than freeway travel (as if freeway travel is ever speedy). “Pacific Standard Time Presents” website sets new sights on how our city was made Modern. More»

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Posted in Architecture and Design, Getty Foundation, Philanthropy

New SCI-Arc Media Archive Allows Forward-Oriented Institution to Look Back

Frank O. Gehry from the SCI-Arc Media Archive

On an elegant white background, I see familiar faces, many of whom are much younger and in their prime: Charles and Ray Eames in black and white; a dark-haired, mustachioed Frank Gehry; and Reyner Banham, the keen observer of early-1970s… More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour you can hear multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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