studio art

Posted in Antiquities, Education, Getty Villa, J. Paul Getty Museum

Drawing from Antiquity: A Chance to Slow Down Time

Artist and drawing enthusiast Jaime Ursic gives a lesson in the Education Studio at the Getty Villa.

Jaime Ursic believes everyone should study drawing. Not just because she’s an artist, but because it gives you two near-magical gifts: looking closely, and slowing down time. She’ll show you how to do both at Drawing from Antiquity, a free… More»

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Posted in Education, Getty Center, J. Paul Getty Museum

Learning from the Old Masters at Getty Drawing Hour

Sketch after Frans Hals's painting Saint John the Evangelist from 1625–28

Looking for opportunities to exercise your creativity in 2011? Consider Getty Drawing Hour, a free program that offers a chance to draw from the Old Masters, with lessons—and plenty of encouragement—from a professional artist. I tried it out on a… More»

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Posted in Behind the Scenes, Getty Center, J. Paul Getty Museum, Sculpture and Decorative Arts

In the Sketching Gallery, It’s Time to Create!

A visitor to the Sketching Gallery draws from a plaster cast of Adrien de Vries's Juggling Man.
A visitor to the Sketching Gallery draws from a plaster cast of Adrien de Vries's Juggling Man.

Of all my docent duties, helping visitors in the Getty Center’s Sketching Gallery is one of my favorites. What do we offer? The tangibles are not that much: paper, a few pencils, a place to sit, and some works of… More»

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      #ThyCaptionBe: Warnings to the Rich & Powerful

      You captioned this detail. And we’re revealing the full story now.

      It would be awesome if this was Medieval hangman, or a really awkward frat party, but it’s actually the result of a one-letter swap gone wrong in a book about the fates of the rich. 

      Here’s the full story:

      You sometimes regret what pops out unexpectedly when you open your mouth, but in this case, even the fish must have been quite surprised when a wooly lamb burst forth. 

      The stories in this text by Giovanni Boccaccio warn of the terrible fate that often awaits the rich and powerful. He uses here the example of King Polycrates, who tossed a ring into a river, hoping for good luck, and found it later in the mouth of a fish. 

      Someone got confused, though, and instead of a ring (in French, annel), what came out instead was a lamb (agnel). Apparently, neither the ring nor the lamb worked because the king was later hanged (background).

      #ThyCaptionBe is a celebration of modern interpretations of medieval aesthetics. You guess what the heck is going on, then we myth-bust.

      08/31/15

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