watercolors

Posted in Art, Getty Research Institute, Prints and Drawings

A Wartime Apocalypse, in Miniature

Saint John's Vision of the Seven Candlesticks, 1917, Ernst Ludwig Kirchner. Getty Research Institute.
Saint John's Vision of the Seven Candlesticks, 1917, Ernst Ludwig Kirchner. Getty Research Institute.

Tiny, feverish watercolors by Ernst Ludwig Kirchner express the anxious hopes of an entire generation of European artists. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

Marilyn Manson, Luminous Poetry, and British Watercolors

Durham Cathedral and Castle / Thomas Girtin
Durham Cathedral and Castle / Thomas Girtin, about 1800. Watercolor over pencil heightened with gum arabic, 14 3/4 x 19 1/4 in. The J. Paul Getty Museum, 2010.35

I never expected to witness an evening combining British artists Aubrey Beardsley and Thomas Girtin, goth-rocker Marilyn Manson, Ugly Betty, six contemporary American poets, Stonehenge, improvisational bassist Roberto Miranda, William Blake, and the exhumed body of a Pre-Raphaelite model. Yet… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

The Drawing That Once Hung in Thomas Jefferson’s Parlor

The Fright of Astyanax (Hector Bidding Farewell to Andromache), Benjamin West, 1797. The J. Paul Getty Museum, 84.GG.722
The Fright of Astyanax (Hector Bidding Farewell to Andromache), Benjamin West, 1797. The J. Paul Getty Museum, 84.GG.722

An American has slipped his way into exclusive British company—the exhibition Luminous Paper: British Watercolors and Drawings, opening July 19. Owned for years by Thomas Jefferson, admirer of all things classical, this pen-and-ink by Pennsylvania-born artist Benjamin West depicts a… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

The Nazarenes: German Artists Illuminating the Spirit of the Age

The Coronation of Charlemagne, Julius Schnorr von Carolsfeld, 1840. Brown ink over graphite on paper. The J. Paul Getty Museum, 2009.5

In the emerald-green galleries of the exhibition Spirit of an Age: Drawings from the Germanic World, I was drawn to a cluster of quiet drawings that convey beautiful stories: miraculous healings, heroic quests of medieval knights, momentous coronations. These are… More»

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      everyartisthasabday:

      Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top.

      Boticelli believed he was living through the Tribulation, which is clear in the mysterious inscription:

      This picture, at the end of the year 1500, in the troubles of Italy, I Alessandro, in the half-time after the time, painted, according to the eleventh chapter of Saint John, in the second woe of the Apocalypse, during the release of the devil for three-and-a-half years; then he shall be bound in the twelfth chapter and we shall see [him buried] as in this picture.

      It is the only surviving work with his signature.

      03/02/15

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