Exhibitions and Installations

Thematic exhibitions and gallery installations featuring and complementing the permanent collections

Also posted in J. Paul Getty Museum, Manuscripts and Books

Talking the Global Middle Ages with Curator Bryan Keene

Bryan Keene

Curator Bryan Keene takes questions from inquiring Instagrammers More»

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Also posted in J. Paul Getty Museum, Manuscripts and Books

7 Things to Look for in Paintings of the Last Supper

The Last Supper, about 1525–30, Simon Bening. Tempera colors, gold paint, and gold leaf on parchment; 6 5/8 x 4 1/2 in. The J. Paul Getty Museum, Ms. Ludwig IX 19, fol. 83v
The Last Supper, about 1525–30, Simon Bening. Tempera colors, gold paint, and gold leaf on parchment; 6 5/8 x 4 1/2 in. The J. Paul Getty Museum, Ms. Ludwig IX 19, fol. 83v

Things to know to decipher the images in one of the most depicted subjects in the history of art More»

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Also posted in Miscellaneous, Photographs, Film, and Video

Ansel Adams Captures the Struggle and Beauty of a Japanese-American Internment Camp

Entrance / Adams
Entrance to Manzanar, 1943, Ansel Adams. Gelatin silver print (printed 1984). Private collection; courtesy of Photographic Traveling Exhibitions

Ansel Adams photographs document life at the Manzanar internment camp during World War II. More»

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Also posted in Art, Manuscripts and Books

Why Aren’t People Eating in Medieval Depictions of Feasts?

Temperate and the Intemperate, Master of the Dresden Prayer Book, miniature from Valerius Maximus, The Memorable Deeds and Sayings of the Romans, Bruges, about 1470-80, The J. Paul Getty Museum, Ms. 43, recto
Temperate and the Intemperate, Master of the Dresden Prayer Book, miniature from Valerius Maximus, The Memorable Deeds and Sayings of the Romans, Bruges, about 1470-80, The J. Paul Getty Museum, Ms. 43, recto

The medieval struggle to resist sin. More»

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Also posted in J. Paul Getty Museum, Prints and Drawings

A Smartly Costumed Soldier and His Fierce Cat

An Azappo Archer with a Cheetah
An Azappo Archer with a Cheetah, about 1575, Jacopo Ligozzi. Brush, pen and brown ink, tempera colors, and painted gold, 11 1/16 x 8 3/4 in. The J. Paul Getty Museum, 91.GG.53

An extraordinary portrait of a Turkish soldier and his feline sidekick. More»

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Also posted in Prints and Drawings

Celebrating Sugar in “The Edible Monument”

Marcia Reed and Ivan Day
Marcia Reed and Ivan Day installing the sugar sculpture in The Edible Monument

Talking sugar with the chief curator of the Getty Research Institute. More»

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Also posted in Getty Research Institute, Prints and Drawings

The Weird and Wonderful Edible Monuments of Early Modern Europe

Festa della Porchetta in Bologna / Belmondo

When architecture was made of food. More»

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Also posted in Getty Research Institute, Prints and Drawings

This Just In: A Sugar Sculpture in Technicolor

Detail of etching of sugar sculpture / Teyler after Lenardi

A fantastic episode from the history of edible propaganda. More»

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Also posted in Prints and Drawings

17th-Century Print Offers a Field Guide to Laziness and Gluttony

Description of the Land of Cockaigne, Where Whoever Works the Least Earns the Most / Remondini
Description of the Land of Cockaigne, Where Whoever Works the Least Earns the Most, 1606, Remondini family (Bassano). Hand-colored engraving, 16 5/16 x 21 7/8 in. The Getty Research Institute, 2014.PR.72

“Here you only worry about being happy!” More»

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Also posted in Ancient World, Getty Villa

“A Great Passion for Old Stones and Walls”

erechtheion

Snapshots of Greece’s ancient monuments from an era before photography. More»

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