Explore the Era
Delve into the postwar Los Angeles art world in this online archive, which provides additional material related to the exhibitions on view at the Getty Center. Learn about hipsters and happenings, and the venues across the city where all the action took place through images from the archives and first-hand accounts with the artists.
From the Archive
Video: Lyn Kienholz on censorship » Pacific Standard Time at the Getty
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Video: Arts advocate Lyn Kienholz talks about censorship in the L.A. art scene
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Walter Hopps Hopps Hopps, 1959, Edward Kienholz. Paint and resin on wood, printed color reproductions, ink on paper, vertebrae, telephone parts, candy, dental molds, metal, pencil, and leather. 87 x 42 x 21 in. The Menil Collection, Houston, Gift of Lannan Foundation. © Nancy Reddin Kienholz. Photo: Susan Einstein
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Untitled, Wall Piece, 1967, Larry Bell. White and black glass, vacuum coated. 120 x 300 in. Collection of Michael Straus, Birmingham, Alabama. © Larry Bell
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Untitled (Peyote Vision), 1955, Cameron (from Semina journal, no. 1). Reproduction of ink drawing mounted on cardstock. 3 13/16 x 4 in. Courtesy of Cameron Parsons Foundation
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Torn Cloud Painting 73, 1972, Joe Goode. Oil on canvas. 72 x 96 in. Collection of Joe Goode & Hiromi Katayama. © Joe Goode
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The Future as Afterthought, 1962, Edward Kienholz. Paint and resin on plastic and rubber doll parts with sheet metal, tricycle pedals, and wood. 54 x 21 x 16 15/16 in. Onnasch Collection. © Nancy Reddin Kienholz. Photo courtesy L.A. Louver, Venice, CA
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Concord #8, 1963, Ron Miyashiro. Wood, cardboard, and enamel. 11 5/8 x 5 7/8 x 6 1/4 in. Collection of Diana Zlotnick. © Ron Miyashiro. Photo courtesy of Cardwell Jimmerson and the artist
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American Beauty, 1965, Ed Bereal. Metal, paint, tree branch. 50 x 31 x 12 in. Collection of Betty & Monte Factor. © Ed Bereal. Photo by Larry Hirshowitz
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Video: Visit Edward Kienholz’s 1966 LACMA exhibition and watch people react to his 1964 sculpture Back Seat Dodge ’38. Excerpt from the documentary film Kienholz on Exhibit, 1969, directed by June Steel. © June Steel
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Video: Attend the opening of Edward Kienholz’s 1961 exhibition at the Ferus Gallery. Excerpt from the television program Story of an Artist, 1962, directed by William Kronick. Licensed by Warner Bros. Entertainment, Inc.
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Video: George Herms speaks about the work of Cameron, 2002. Footage courtesy of the Cameron Parsons Foundation
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Wallace Berman and friends in the alley next to the Ferus Gallery showing a sculpture to the LAPD vice squad, 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.10. © J. Paul Getty Trust. Photo by Charles Brittin
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Contact sheet showing images of Wallace Berman's exhibition at the Ferus Gallery in Los Angeles, 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.13. © J. Paul Getty Trust. Photos by Charles Brittin
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Wallace Berman's assemblage Temple in his exhibition at the Ferus Gallery in Los Angeles, 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.12. © J. Paul Getty Trust. Photo by Charles Brittin
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Temporary closure sign at Ferus Gallery in Los Angeles, 1957. The Getty Research Institute, Charles Brittin papers 2005.M.11.11. © J. Paul Getty Trust. Photo by Charles Brittin
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Robert Alexander, John Reed, Wallace Berman, Juanita Dixon, and Walter Hopps in the alley next to Ferus Gallery in Los Angeles, ca. 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.9. © J. Paul Getty Trust. Photo by Charles Brittin
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Ed Bereal in his studio in Los Angeles, ca. 1961. © Ed Bereal. The Getty Research Institute, Gift of George Herms, 2009.M.20.2. Image courtesy of Jerry McMillan and Craig Krull Gallery, Santa Monica. © Jerry McMillan
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Wallace Berman and the LAPD vice squad at Ferus Gallery, 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.8. © J. Paul Getty Trust. Photo by Charles Brittin
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Exterior view of the Ferus Gallery during the exhibition of Edward Kienholz's installation Roxy's, 1962. Photo by William Claxton. Courtesy Demont Photo Management, LLC.
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Ron Miyashiro in front of one of his paintings, ca. 1961. Courtesy of the artist and the Hammer Museum, Los Angeles. © Ron Miyashiro
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Protest on La Cienega Boulevard, outside the Ferus Gallery, May 15, 1965. The Getty Research Institute, Charles Brittin papers, 2005.M.11. © J. Paul Getty Trust. Photo by Charles Brittin
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Edward Kienholz in 1958. Image courtesy of Marvin Silver and Craig Krull Gallery. © Marvin Silver
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Poster for the exhibition War Babies at Huysman Gallery in Los Angeles, May 29–June 17, 1961. Poster created by Jerry McMillan and Joe Goode. Photo © Jerry McMillan. Design © Joe Goode. The Getty Research Institute, 2006.M.1.5. Image courtesy of Jerry McMillan and Craig Krull Gallery, Santa Monica