Untitled (Art is Love is God), 1955, Robert Alexander. Wooden box, photograph, bullet, and paper. 3 7/16 x 6 7/16 x 3 5/16 in. The Getty Research Institute, Charles Brittin Papers, 2005.M.11.29. Courtesy of the Temple of Man, Inc.

Semina cover with Wife (photograph of Shirley Berman), 1959, Wallace Berman. Semina journal, no. 4 (1959) by Wallace Berman. Halftone reproduction on cardstock. 9 7/16 x 8 x 1/16 in. The Getty Research Institute, 2564-801.no1.2. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles

Semina cover with photograph of Cameron, 1955, Wallace Berman. Semina journal, no. 1 (1955) by Wallace Berman. Gelatin silver print mounted on cardstock. 7 1/2 x 4 in. The Getty Research Institute, 2564-801.no1.2. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles

Semina cover with altered press photograph of William George Heirens (the “Lipstick Killer”), 1963, Dean Stockwell. Semina journal, no. 8 (1963) by Wallace Berman. Halftone reproduction on cardstock, mounted on cardboard. 7 1/16 x 5 1/2. The Getty Research Institute, 2864-801.no8.6. Courtesy of Dean Stockwell and the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles

Magicians Garden, 1963, Billy and Joan Jahrmarkt. Verifax on cardstock and metal screw. Self-published book. 3 5/8 x 2 9/16 x 5/8 in. The Getty Research Institute, Gift of George Herms, 2009.M.20 © Billy and Joan Jahrmarkt

L.A. Odyssey, 1969, Diane di Prima (poet), cover design by George Herms. Poets Press, San Francisco, 1969. Offset lithograph. 8 5/8 x 5 9/16 x 1/16 in. Book © Diane di Prima. The Getty Research Institute, Gift of George Herms, 2009.M.20.27. Cover image © George Herms

Card to George Herms, 1970, Wallace Berman. Letterpress, ink, and gelatin silver print on board. 6 1/4 x 4 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.9. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles

Card to George Herms, 1968, Dean Stockwell. Letterpress, ink, and tinted gelatin silver print on board. 5 x 3 3/8 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.12. © Dean Stockwell

Card to George Herms, 1967, Dean Stockwell. Letterpress, ink, and gelatin silver prints on board. 5 1/4 x 3 9/16 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.17. © Dean Stockwell

Card to George Herms, 1966, Russel Tamblyn. Photomontage and ink board. 4 9/16 x 3 9/16 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.10. © Russel Tamblyn

Card to Betty Asher, ca. 1965, Wallace Berman. Photomontage and ink on board. 4 x 2 15/16 in. The Getty Research Institute, Gift of Michael Asher, 2009.M.30.25. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles

Business-card box for Charles Brittin, 1957, Robert Alexander. Collaged box with medicine cap affixed. 2 1/2 x 6 3/8 x 3 7/8 in. The Getty Research Institute, Charles Brittin Papers, 2005.M.11.27. Courtesy of the Temple of Man, Inc.

Business-card box for Charles Brittin, ca. 1950s, Robert Alexander. Collaged box with key affixed. 2 1/4 x 4 5/16 x 3 15/16 in. The Getty Research Institute, Charles Brittin Papers, 2005.M.11.28. Courtesy of the Temple of Man, Inc.

Book 1, ca. 1960s, Russel Tamblyn. Letterpress and photocollage. Skyline Press, ca. 1960s 5 7/16 x 4 1/4 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.8. © Russel Tamblyn

Video: George Herms speaks about the work of Wallace Berman, March 2011

Audio: Hear Robert Alexander discuss his artwork. Excerpt from an interview with Robert Alexander by Sandra Leonard Starr, 1986. The Getty Research Institute, Gift of Sandra Leonard Starr, 2011.M.22. Courtesy of the Temple of Man, Inc.

Video: George Herms speaks about his work, March 2011

Announcement for "Roofle," a Tap City Circus raffle in Los Angeles, October 30, 1966. Designed by George Herms. Letterpress, woodblock, and rubber stamping. The Getty Research Institute, Gift of Hal Glicksman, 2009.M.5.6

Suzi and Eddie Hicks at Charles Brittin exhibition at Semina Gallery in Larkspur, California, 1961. The Getty Research Institute, Charles Brittin papers, 2005.M.11.24 © J. Paul Getty Trust. Photo by Charles Brittin

Exterior view of the Semina Gallery in Larkspur, California, with partial view of Charles Brittin’s exhibition. 1961. The Getty Research Institute, Charles Brittin papers, 2005.M.11.21 © J. Paul Getty Trust. Photo by Charles Brittin

Robert Alexander, ca. 1960. The Getty Research Institute, Charles Brittin papers, 2005.M.11.20 © J. Paul Getty Trust. Photo by Charles Brittin

Installation view of Charles Brittin exhibition at Semina Gallery in Larkspur, California, 1961. The Getty Research Institute, Charles Brittin papers, 2005.M.11.19. © J. Paul Getty Trust. Photo by Charles Brittin

Robert Alexander, John Reed, Wallace Berman, Juanita Dixon, and Walter Hopps in the alley next to Ferus Gallery in Los Angeles, ca. 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.9. © J. Paul Getty Trust. Photo by Charles Brittin

Announcement for “Raffle,” a Tap City Circus raffle in Los Angeles, June 6, 1965. Designed by George Herms. Letterpress, woodblock, rubber stamping, and tinted gelatin silver print. The Getty Research Institute, Gift of Rolf G. Nelson, 2010.M.38.4

George Herms at “Earful,” a Tap City Circus raffle in Los Angeles, 1972. The Getty Research Institute, Gift of George Herms, 2009.M.20.24. Photo by and © Jerry Maybrook

Announcement for “Earful,” a Tap City Circus raffle in Los Angeles, February 20, 1972. Designed by George Herms. Letterpress, woodblock, and rubber stamping. The Getty Research Institute, Gift of George Herms, 2009.M.20.25. © J. Paul Getty Trust

Brochure for a performance at Instant Theatre, "Part of the forest is remaining unseen and the seen no longer is seen," ca. 1957, designed by Robert Alexander. Letterpress. The Getty Research Institute, Charles Brittin papers, 2005.M.11.25. Courtesy of the Temple of Man, Inc.

Dean Stockwell and Wallace Berman at Stone Brothers Printing, 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.18. © J. Paul Getty Trust. Photo by Charles Brittin

Wallace Berman with a copy of Semina no. 1 in the Stone Brothers Printing display window, 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.17. © J. Paul Getty Trust. Photo by Charles Brittin

Exhibition announcement for Action²: Works by West Coast Painters, at the NOW Gallery inside the Turnabout Theatre in Los Angeles, September 5–25, 1956. Robert Alexander, designer. Letterpress on paper mounted on cardboard. The Getty Research Institute, Charles Brittin papers, 2005.M.11.15. Courtesy of the Temple of Man, Inc.

George Herms in his studio on Figueroa Street in downtown Los Angeles, ca. 1977. Photo by Frank J. Thomas. Courtesy of the Frank J. Thomas Archives