# 8, 1966, John McLaughlin. Oil on canvas. 48 x 60 in. The Marilynn and Carl Thoma Collection. Image courtesy of Greenberg Van Doren Gallery, New York

#18–1961, 1961, John McLaughlin. Oil on canvas. 48 x 60 in. Private Collection

American Beauty, 1965, Ed Bereal. Metal, paint, tree branch. 50 x 31 x 12 in. Collection of Betty & Monte Factor. © Ed Bereal. Photo by Larry Hirshowitz

BG Red, 1963, Ken Price. Fired clay with acrylic and lacquer on wooden base. 10 in. high. Collection of Mr. & Mrs. Gifford Phillips. Permission courtesy Ken Price Studio. Photo by Taylor Sherill

Big Jim McLain, 1967, Billy Al Bengston. Polyurethane and laquer on aluminum. 60 x 58 in. Collection of Joan and Jack Quinn. © Billy Al Bengston

Billy Al Bengston’s studio on Mildred Street in Venice, California, 1970. Image courtesy of and © Billy Al Bengston

Black on White, 2011, Robert Irwin. Granite. 60 x 36 x 392 in. This work was commissioned by the J. Paul Getty Trust in honor of James N. Wood. © Robert Irwin
These images show a model of the installation, the quarry in India where the granite was sourced, and the piece after delivery to the fabricator.

Black Tear, 1969, Ronald Davis. Molded polyester resin and fiberglass. 60 ½ x 136 in. The Robert A. Rowan Collection, Pasadena, California. © Ronald Davis

Blue Planet, 1965, Helen Lundeberg. Acrylic on canvas. 60 x 60 in. The Marilynn and Carl Thoma Collection. © Feitelson Arts Foundation, courtesy Louis Stern Fine Arts

Book 1, ca. 1960s, Russel Tamblyn. Letterpress and photocollage. Skyline Press, ca. 1960s 5 7/16 x 4 1/4 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.8. © Russel Tamblyn

Womanhouse installation in Los Angeles, featuring Robin Weltsch’s Kitchen and Vicki Hodgetts’s Eggs to Breasts (Sponsored by Feminist Art Program at CalArts), 1972. The Getty Research Institute, 2000.M.43.1. Photo courtesy Lloyd Hamrol

Car Hood, 1964, Judy Chicago. Sprayed acrylic lacquer on Corvair car hood. 42 15/16 x 49 3/16 x 4 5/16 in. Moderna Museet, Stockholm. Acquired 2007 with means from The Second Museum of our Wishes. © Judy Chicago, 1964. Photo © Donald Woodman

Card to Betty Asher, ca. 1965, Wallace Berman. Photomontage and ink on board. 4 x 2 15/16 in. The Getty Research Institute, Gift of Michael Asher, 2009.M.30.25. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles

Card to George Herms, 1970, Wallace Berman. Letterpress, ink, and gelatin silver print on board. 6 1/4 x 4 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.9. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles

Card to George Herms, 1968, Dean Stockwell. Letterpress, ink, and tinted gelatin silver print on board. 5 x 3 3/8 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.12. © Dean Stockwell