Greetings from L.A.: Artists and Publics&raquo;Pacific Standard Time at the Getty

Delve into the postwar Los Angeles art world in this online archive, which provides additional material related to the exhibitions on view at the Getty Center. Learn about hipsters and happenings, and the venues across the city where all the action took place through images from the archives and first-hand accounts with the artists.

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100 Boots, 1971–73, Eleanor Antin. Halftone reproductions on 51 cards. 4 ½ x 7 in. each. The Getty Research Institute, 2011.M.23, 2006.M.24, 890164, and 2009.M.5 (Gift of Hal Glicksman). © Eleanor Antin. Courtesy Ronald Feldman Fine Arts, New York
24 Pieces, 1970, Allen Ruppersberg. Spiral-bound offset lithograph. Self-published book. 6 1/4 x 8 1/4 in. The Getty Research Institute, 89-B22093.c1. © Allen Ruppersberg
Shoot performance at F-Space Gallery in Santa Ana, California, 1971, Chris Burden. Gelatin silver print documenting the event by Alfred Lutjeans. 9 15/16 x 7 15/16 in. The Getty Research Institute, Gift of Art in the Public Interest and 18th Street Arts Center, 2006.M.8.41. © Chris Burden
A Gourmet Experience, 1974, Martha Rosler. Gelatin silver print. 10 1/16 x 7 15/16 in. The Getty Research Institute, Long Beach Museum of Art Video Archive, 2006.M.7.26 © Martha Rosler
Ablutions performance at Guy Dill’s studio, with Judy Chicago, Suzanne Lacy, Sandra Orgel, and Aviva Rahmani (Sponsored by Feminist Art Program at CalArts), 1972. The Getty Research Institute, Gift of Art in the Public Interest and 18th Street Arts Center, 2006.M.8.42. Photo courtesy Lloyd Hamrol
Al's Grand Hotel catalog, 1971, Allen Ruppersberg. Offset lithograph. 9 x 6 x 1/16 in. The Getty Research Institute, 94-B15837. © Allen Ruppersberg
Book 1, ca. 1960s, Russel Tamblyn. Letterpress and photocollage. Skyline Press, ca. 1960s 5 7/16 x 4 1/4 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.8. © Russel Tamblyn
Business-card box for Charles Brittin, 1957, Robert Alexander. Collaged box with medicine cap affixed. 2 1/2 x 6 3/8 x 3 7/8 in. The Getty Research Institute, Charles Brittin Papers, 2005.M.11.27. Courtesy of the Temple of Man, Inc.
Business-card box for Charles Brittin, ca. 1950s, Robert Alexander. Collaged box with key affixed. 2 1/4 x 4 5/16 x 3 15/16 in. The Getty Research Institute, Charles Brittin Papers, 2005.M.11.28. Courtesy of the Temple of Man, Inc.
Card to Betty Asher, ca. 1965, Wallace Berman. Photomontage and ink on board. 4 x 2 15/16 in. The Getty Research Institute, Gift of Michael Asher, 2009.M.30.25. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Card to George Herms, 1970, Wallace Berman. Letterpress, ink, and gelatin silver print on board. 6 1/4 x 4 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.9. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Card to George Herms, 1968, Dean Stockwell. Letterpress, ink, and tinted gelatin silver print on board. 5 x 3 3/8 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.12. © Dean Stockwell
Card to George Herms, 1967, Dean Stockwell. Letterpress, ink, and gelatin silver prints on board. 5 1/4 x 3 9/16 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.17. © Dean Stockwell
Card to George Herms, 1966, Russel Tamblyn. Photomontage and ink board. 4 9/16 x 3 9/16 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.10. © Russel Tamblyn
Entr’Acte Happening at CalArts, 1972, Allan Kaprow. Courtesy Allan Kaprow Estate

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