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Confronting Power and Violence in the Renaissance Nude
Venus Rising from the Sea (Venus Anadyomene), about 1520, Titian. Oil on canvas, 29 13/16 × 22 11/16 in. National Galleries of Scotland, Edinburgh. Accepted in lieu of Inheritance Tax by HM Government (hybrid arrangement) and allocated to the Scottish National Gallery, with additional funding from the Heritage Lottery Fund, the Art Fund (with a contribution from the Wolfson Foundation), and the Scottish Executive, 2003

Confronting Power and Violence in the Renaissance Nude

The Renaissance origins of the male gaze.

An Introduction to the Drunken Satyr, A Rare Roman Bronze Being Studied and Conserved at the Getty Villa
J. Paul Getty Museum conservator William Shelley and preparator Rita Gomez assure the sculpture’s arrival in the Getty Villa conservation studios. Drunken Satyr, 1st century BC–1st century AD, Roman. Bronze, 137 cm high. Museo Archeologico Nazionale di Napoli, inv. 5628. Reproduced by agreement with the Ministry of Cultural Assets and Activities and Tourism. National Archaeological Museum of Naples – Restoration Office. Photo: Sarah Waldorf

An Introduction to the Drunken Satyr, A Rare Roman Bronze Being Studied and Conserved at the Getty Villa

A rare ancient Roman sculpture receives in-depth conservation treatment.

Deconstructing Myths about the Nude in Renaissance Art
Madonna and Child Surrounded by Angels, 1454–56, Jean Fouquet. Oil on panel, 36 1/4 x 32 7/8 in. Courtesy of Koninklijk Museum voor Schone Kunsten Antwerpen. Image © www.lukasweb.be–Art in Flanders vzw, photo Dominique Provost

Deconstructing Myths about the Nude in Renaissance Art

A new look at the rise of the nude in art.

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