Four Minds on Herzog: A Conversation with Glenn Phillips
“You’re only rewarded by any encounter with an artwork if you get something out of it.” How to approach Werner Herzog.
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All Posts by Anne Martens
Flying under the radar is what I do best, as long as I can be involved in anything and everything. That's perhaps why I'm an artist and journalist. I combine both of those interests at the Museum as a writer for Collection Information & Access—collaborating on projects that range from producing audio and videos to animation and interactive media about collection-related exhibitions and works of art.
Four Minds on Herzog: A Conversation with Nancy Perloff
“The end is a kind of apotheosis. Maybe that sounds too romantic or spiritual. But the single most remarkable thing is that you lose all sense of time.”
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Four Minds on Herzog: A Conversation with Anne Woollett
The deep appeal of the imagined landscape.
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Four Minds on Herzog: A Conversation with Paul Young
“I think he sees Hearsay of the Soul as a poem, and doesn’t want to make a documentary—that was a very deliberate choice. It feels very personal, and that’s what makes it interesting.”
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Dear “Woman in Blue,” Let Me Tell You Of…
“You will be forgotten. Your image, however, will be immortal. Through it, you will travel far—not by horse and cart, or merchant ship, but through the sky…”
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Write the Opening Line to Vermeer’s “Lady in Blue”
What do you think the first line of this letter might say? Share your ideas.
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Cabinet of Wonders
The Augsburg Display Cabinet—the Getty Museum’s 17th-century “cabinet of curiosities” on display starting tomorrow in our New Galleries for Medieval and Renaissance Sculpture and... Read More