Wupatki National Monument in Arizona Receives $1.3 Million Conservation Grant
The site contains more than 5,000 Indigenous archaeological sites at risk from climate change
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All Posts by Alexandria Sivak
I'm senior communications specialist at the J. Paul Getty Trust, and handle media outreach for the Getty Conservation Institute, Getty Foundation, and the Getty Museum's Department of Photographs.
Innovation in Prints and Drawings Is the Focus of New Getty Grants
Grants made as part of The Paper Project feature diverse and understudied collections
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Who Are Zoos For?
How modern architecture and a new zoo collided in one British town
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Cameras in Hand, Asian American & Pacific Islanders Bring History to Life
Digital Histories teaches fimmaking to older members of the community
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90 Nonprofit Organizations Receive $36.1 Million for Post-Pandemic Rebuilding
Grants provide critical recovery support to organizations that contribute to the region’s cultural fabric
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What Soviet-Era Plastics Reveal about Science behind the Iron Curtain
A new Getty project brings institutions together to research household plastics with an eye on future conservation
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Why Would We Rebury Ancient Sites?
Good question. Let’s dig in
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New Project Launches to Identify, Protect, and Celebrate L.A.’s Black Heritage
The African American Historic Places Project is a partnership between Getty and The City of Los Angeles
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How to Preserve a Piece of Abolitionist History
A Getty conservator discusses how she protects a rare and important photograph
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Can Art and Science Solve the Most Complex Challenges of the 21st Century?
Getty awards 45 grants to Southern California institutions as part of the next Pacific Standard Time initiative
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A Former Intern Reflects on the Mentorship, Community, and Passion That Drive Him
Francis Cullado brings greater visibility to Asian American and Pacific Islander film and filmmakers
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A Mural Too Powerful to Stay Hidden: Conserving América Tropical
Looking back on a David Alfaro Siqueiros mural in Los Angeles that was almost lost to time.
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