About: Jessica Portner

Posted in Education, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Making Over Early Photographs with Color

Luther Gerlach hand-colors a sepia photograph at an Artist-at-Work Demonstration

“First, ever so lightly, I take a little flesh-colored pigment and add a bit of color to his face,” said Luther Gerlach as he glided his brush over an old photograph of a boy clutching a hat. “Then let’s add… More»

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Posted in Behind the Scenes, Getty Center, J. Paul Getty Museum

Mixing Afghan Rhythms at Sounds of L.A.

Sounds and Rhythms of Afghanistan. From left:

Just 48 hours before he was pounding percussion onstage at the Getty Center this past weekend, one of the creators of Sounds and Rhythms of Afghanistan (S.A.R.A.) was teaching tabla drumming at a music school in Kabul. But the Afghan-American… More»

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Posted in Getty Center, J. Paul Getty Museum

Honey, They’re Playing Our Painting

Dancer Taking a Bow (The Prima Ballerina), Edgar Degas, pastel and gouache on paper, 33 1/2 x 27 in. (85.1 x 68.6 cm). Private collection

Many couples have a favorite song, a tune that conjures up memories of blissful infatuation and unending devotion. Elia and Maranatha have a painting. The couple met three years ago when Elia, a musician, was playing at a club in… More»

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Posted in Behind the Scenes, Conservation, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

Drawing the Line: Conserving Master Drawings with a Light Touch

Working on Study of Three Skulls. At top left, the disfiguring oil stain; at top right, the same area of the sheet after the pastel application.
Working on Study of Three Skulls. At top left, the disfiguring oil stain; at top right, the same area of the sheet after the pastel application.

The intriguing exhibition The Secret Life of Drawings—closing this Sunday at the Getty Center—unveils hidden clues to unfinished works on paper, undiscovered sketches, and details of the artist’s craft. It also reveals that making damaged art look presentable can be… More»

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      An Infrared reflectogram of a painting by Andrea Del Sarto reveals an architectural drawing beneath. Could it be a compositional underdrawing of a Pietro Perugino painting? 

      “What an odd discovery! It was one of those moments I’ll never forget. It’s humbling to realize how little we really know about major artists who worked so long ago, and a little glimpse such as this makes that all the more apparent.” —Getty Museum Drawings Curator Julian Brooks

      Read more on this discovery on The Getty Iris here.

      09/03/15

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