Managing the Details: Coordinating Field-Based Conservation Projects
A look at the complex logistics involved in organizing conservation projects around the world.
Read MoreA look at the complex logistics involved in organizing conservation projects around the world.
Read MoreA panel of curators, educators, and artists explore three pioneering artist-museum collaborations.
Read MoreHow to rebel against the establishment by creating “readymades”
Read MoreWe’re all familiar with the X-rays used to take images of people’s bones and teeth at medical and dental facilities. But did you know this same technology can also be used to examine the internal structures of museum objects?...
Read MoreAs Californians, we are well aware of the damage that results from earthquakes, even in new buildings constructed with modern materials. But what happens to historic buildings made of earthen materials such as adobe? These structures can be particularly...
Read More70 years later, the Hiroshima bombing gives rise to hopeful art.
Read MoreExperiments in transcription for digital art history.
Read MoreGetty Scholars’ Workspace, an online collaborative working environment, is taking shape at the Getty Research Institute. Lessons from the pilot project.
Read MoreWhat do you do at the Getty? I’m an objects conservator at the Getty Research Institute. The GRI houses a vast research library, with all sort of material relating to art history. Our special collections contain photographs, prints and...
Read MoreWhat postcards and board games tell us about the politics of representation
Read MoreHow, and why, we made an exhibition with only four objects.
Read MoreWe call this unusual object a table, but is it?
Read More