Arts Summit

Posted in Behind the Scenes, Getty Foundation, Voices

A Vision of Possibilities

Keynote speaker Traci Kato-Kiriyama sets the tone for what becomes an eye-opening experience at the Getty.
Keynote speaker Traci Kato-Kiriyama sets the tone for what becomes an eye-opening experience at the Getty.

Every interaction is an opportunity. Thoughts on considering a career in the arts. More»

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Posted in Behind the Scenes, Getty Foundation, Philanthropy

New Perspectives: Exploring Career Paths at the 2013 Getty Intern Arts Summit

Hilary_Walters
Hilary Walter, Program Assistant at the Getty Foundation, catches up with interns at the end of a great day.

A glimpse into the world of professional development for the Getty’s Multicultural Summer Interns. More»

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Posted in Behind the Scenes, Getty Foundation, Philanthropy

Expanding Identity: Reflections on the 2012 Getty Intern Arts Summit

Artist Kip Fulbeck speaking at the Getty Art Summit

This summer, I am working at the Getty Foundation as part of the Multicultural Undergraduate Internship program. The program provides paid internships to diverse students at arts organizations all across L.A., including the Getty. The highlight of my first week was assisting… More»

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Posted in Behind the Scenes, Getty Foundation, Philanthropy

Exploring Multidimensional Practice at Arts Summit

Participants in the Getty Foundation's Multicultural Undergraduate Internship (MUI) program attend a session at the 2011 Arts Summit

On June 27, 119 students participating in the Getty Foundation’s Multicultural Undergraduate Internship program came to the Getty Center for the program’s annual Arts Summit. Interns chose from discussion topics led by arts professionals who shared their personal experience and… More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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