Dutch art

Posted in Art, Exhibitions and Installations, Photographs, Film, and Video

Four Minds on Herzog: A Conversation with Anne Woollett

Anne Woollett
Curator Anne Woolett, photographed inside the installation Hearsay of the Soul

The deep appeal of the imagined landscape. More»

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Posted in Art, J. Paul Getty Museum, Paintings

Laughing Out Loud! Rembrandt Self-Portrait Now on View at the Getty

Close-up of face in Rembrandt Laughing / Rembrandt Harmensz. van Rijn
Rembrandt Laughing (detail), about 1628, Rembrandt Harmensz. van Rijn. Oil on copper, 8 3/4 x 6 3/4 in. The J. Paul Getty Museum, 2013.60

A youthful, confident Rembrandt shakes things up in the paintings galleries. More»

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Posted in Art, Education, Exhibitions and Installations, Getty Center, J. Paul Getty Museum, Prints and Drawings

The Art of Suggestion

Poetry of Paper haiku station with visitors

Visitors to the Getty Museum’s exhibition The Poetry of Paper reflect on negative space in the drawings on view by writing haiku. More»

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Posted in Art, J. Paul Getty Museum, Paintings

Dear “Woman in Blue,” Let Me Tell You Of…

vemeer_writing_steve_featured

“You will be forgotten. Your image, however, will be immortal. Through it, you will travel far—not by horse and cart, or merchant ship, but through the sky…” More»

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Posted in Art, Behind the Scenes, Paintings, Voices

Getty Voices: The Power of Vermeer

vermeer_featured

Vermeer’s newly arrived Woman in Blue Reading a Letter seems calmly at home in our galleries—but introduces a distinctive new presence. More»

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      gettypubs:

      COBALT

      The histories of many colors are amazing, but cobalt may well have the most brilliant of them all. From the Ming Dynasty to Renaissance Italy, cobalt was a popular glaze for porcelain and other ceramics. Cobalt ink is invisible unless exposed to flame, which turns it a vivid green. In the 17th century, this quality made Europeans believe it was witchcraft, but decades later it was used as a neat trick on fire screens. It wasn’t until 1802 that painters added cobalt to their palette. 

      It is this little tidbit from cobalt’s history that saved master forger Han van Meergeren’s skin after WWII, when he was tried for collaborating with the Nazis. Want to find out how some art history sleuthing and smart science got him a not guilty verdict? Hint: Don’t try to forge a Vermeer with cobalt! 

      Read all about it in The Brilliant History of Color in Art!

      Images, clockwise:

      Glazed earthenware dish with a marchant ship, Italy, about 1510. 

      Glazed earthenware tile floor, Spain, about 1425-50.

      Porcelain lidded vase, China, about 1662-1772.

      All objects from the J. Paul Getty Museum. 

      12/18/14

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