Franz Xaver Messerschmidt

Posted in Exhibitions and Installations, Getty Research Institute, J. Paul Getty Museum, Sculpture and Decorative Arts

Physiognomy, The Beautiful Pseudoscience

Untitled / Ken Gonzales-Day

What do the expressions “highbrow” and “lowbrow” have in common with saying a woman has “mousey” features? What does Homer Simpson have to do with photographs of sculpture in profile by contemporary artist Ken Gonzales-Day? All are contemporary manifestations of… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Sculpture and Decorative Arts

Victims of Soicumstance: My Automatic Visual Reactions to Messerschmidt

Untitled (Big Man) / Ron Mueck

A room full of Franz Xaver Messerschmidt’s Character Heads—currently at the Getty Center as part of the exhibition Messerschmidt and Modernity—may be the best place in L.A. right now to observe neurobiological reactions to human expression. The heads are not… More»

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Posted in Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum, Sculpture and Decorative Arts

Curator’s Diary: Installing “Messerschmidt and Modernity”

Alabaster busts by Franz Xaver Messerschmidt in Messerschmidt and Modernity at the Getty Center

No amount of preparation over the life of an exhibition–from conception to development through implementation and finally installation–prepares you for the moments of surprise and delight as objects arrive from lenders and are uncrated and placed in the galleries. The… More»

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Posted in Art, J. Paul Getty Museum, Sculpture and Decorative Arts

In Search of Messerschmidt’s “Vexed Man”

The Vexed Man, Franz Xaver Messerschmidt, 1771–83. Alabaster, 16 9/16 in. high

New for summer 2012—The Vexed Man is back at the Getty, but he’s moved from his usual haunts for the exhibition Messerschmidt and Modernity, July 24–October 13, 2012. The show brings together several of Messerschmidt’s Character Heads, including the excellently… More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour you can hear multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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