Hiroshi Sugimoto

Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Re-Picturing Photographic History

Left: Arrangement of Botanical Specimens, 1838m William Henry Fox Talbot. Photogenic drawing negative, 8 13/16 x 7 1/4 in. The J. Paul Getty Museum, 84.XM.1002.10. Right: Arrangement of Botanical Specimens, 1839, 2008, Hiroshi Sugimoto. Gelatin silver print, 36 7/8 x 29 1/2 in. The J. Paul Getty Museum, 2013.64.9. © Hiroshi Sugimoto
Left: Arrangement of Botanical Specimens, 1838m William Henry Fox Talbot. Photogenic drawing negative, 8 13/16 x 7 1/4 in. The J. Paul Getty Museum, 84.XM.1002.10. Right: Arrangement of Botanical Specimens, 1839, 2008, Hiroshi Sugimoto. Gelatin silver print, 36 7/8 x 29 1/2 in. The J. Paul Getty Museum, 2013.64.9. © Hiroshi Sugimoto

Why is contemporary artist Hiroshi Sugimoto taking pictures of 175-year-old prints? More»

Also tagged , , , , , 1 Response
Posted in Art, Exhibitions and Installations, Photographs, Film, and Video

Diorama-rama: History Behind Glass

Polar Bear, 1976, Hiroshi Sugimoto (Japanese, born 1948), gelatin silver print, © Hiroshi Sugimoto, The J. Paul Getty Museum, Los Angeles, Purchased with funds provided by the Photographs Council
© Hiroshi Sugimoto

Photographer Hiroshi Sugimoto plays with dioramas’ tension between real and fake, fact and spectacle. More»

Also tagged , , 2 Responses
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      Transit is a huge part of the history of Los Angeles.

      Los Angeles Union Station is the first publication to take a deep look at the design influences of L.A.’s Union Station and how the station came to be. Flip on through.

      #NowReading is a series with @gettypubs that celebrates books, reading everywhere, and art.

      10/23/14

  • Flickr