paintings conservation

Posted in Exhibitions and Installations, Getty Conservation Institute, J. Paul Getty Museum

Letting Jackson Pollock’s “Mural” Speak for Itself

Tom Learner and Alan Phenix of the Getty Conservation Institute with Jackson Pollock's Mural
Tom Learner (left) and Alan Phenix of the Getty Conservation Institute with Jackson Pollock's Mural

“It was time to do something.” Jackson Pollock’s Mural, conserved. More»

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Posted in Conservation, Getty Conservation Institute, Paintings, Research

The Value of Record Keeping: Frederick Hammersley’s Painting Books

Frederick Hammersley's paints and studio tools / Albuquerque, New Mexico
Frederick Hammersley's paints and studio tools as left on his painting table at his home studio in Albuquerque, New Mexico.

The artist’s remarkably detailed records offer a huge boon to conservation science. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, J. Paul Getty Museum, Paintings

Getty to Conserve Jackson Pollock’s Watershed Work “Mural”

Jackson Pollock (American, 1912-1956) Mural, 1943 Oil on canvas, 8’ ¼” x 19’ 10” Gift of Peggy Guggenheim, 1959.6 University of Iowa Museum of Art Reproduced with permission from The University of Iowa
Jackson Pollock (American, 1912-1956) Mural, 1943 Oil on canvas, 8’ ¼” x 19’ 10” Gift of Peggy Guggenheim, 1959.6 University of Iowa Museum of Art Reproduced with permission from The University of Iowa

It’s official—abstract expressionist painter Jackson Pollock’s seminal work Mural (1943) will be undergoing technical study and conservation at the Getty Center as part of a new collaboration between the Getty and the University of Iowa Museum of Art. The painting… More»

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Posted in Conservation, J. Paul Getty Museum, Paintings

Madonna and Child Visit from Hearst Castle

Madonna and Child / school of Duccio di Buoninsegna

Starting tomorrow, a golden Virgin and Child from Duccio di Buoninsegna’s workshop will be adorning the Getty Center paintings galleries (North Pavilion, Gallery 201). Paintings by Duccio are astoundingly rare—there are fewer than 15 in existence, the Maestà in Siena… More»

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Posted in Art, Behind the Scenes, Conservation, Exhibitions and Installations, Paintings

Behind the Scenes with J.M.W. Turner’s “Modern Rome”

framing_a_masterpiece

How long does it take to install a painting in the Museum, from loading dock to gallery wall? For J.M.W. Turner’s Modern Rome—Campo Vaccino, the answer is seven days: really busy days, with lots of people working together to make… More»

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      All Hail Tiberius, Least Media-Savvy of the Roman Emperors

      Tiberius was proclaimed Roman emperor on September 17 in AD 14, exactly 2,000 years ago.

      He was also a bit wacko. “He was the least media-savvy emperor you could imagine,” says curator David Saunders, who has been in charge of this bronze portrait of Tiberius which leaves us on September 22. He point to this description found in the writings of Cassius Dio:

      Tiberius was a patrician of good education, but he had a most peculiar nature. He never let what he desired appear in his conversation, and what he said he wanted he usually did not desire at all. On the contrary, his words indicated the exact opposite of his real purpose; he denied all interest in what he longed for, and urged the claims of what he hated. He would exhibit anger over matters that were far from arousing his wrath, and make a show of affability where he was most vexed…In short, he thought it bad policy for the sovereign to reveal his thoughts; this was often the cause, he said, of great failures, whereas by the opposite course, far more and greater successes were attained.

      Moreover, David tells us, “Tiberius’s accession itself was a farrago: Tiberius sort-of feigning reluctance, the Senate bullying him, he being all, ‘Well, if-I-have-to,’ and in the end—according to Suetonius—saying he’ll do it as long as he can retire.”

      Suetonius is full of great, albeit spurious, anecdotes about poor old Tiberius, David reports. “When someone addressed him as ‘My Lord,’ it is said, Tiberius gave warning that no such insult should ever again be thrown at him.”

      Happy accession, My Lord!

      Portrait Head of Tiberius (“The Lansdowne Tiberius”), early 1st century A.D., Roman. The J. Paul Getty Museum

      Statue of Tiberius (detail), Roman, A.D. 37, Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei – Museo Archeologico Nazionale di Napoli, Laboratorio di Conservazione e Restauro. Currently on view at the Getty Villa following conservation and study.

      09/17/14

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