The Iris

paper conservation

Posted in Art, Behind the Scenes, Conservation, Getty Research Institute

Lifted Cellulose Nitrate: Conserving an Early Robert Mapplethorpe Object

By Juliane Wattig | Published: January 24, 2014
Untitled box / Robert Mapplethorpe
© Robert Mapplethorpe Foundation

A conservator’s view of a complex and unusual object by Robert Mapplethorpe. More»

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Posted in Architecture and Design, Behind the Scenes, Conservation, Getty Research Institute

Conserving Architectural Models: Behind the Scenes in the Research Institute Conservation Lab

By Juliane Wattig | Published: July 20, 2013
Tom Learner and Juliane Wattig, working on an architectural model
Photo: Scott S. Warren

How are architectural models conserved? A look at the field, and two displayed in “Overdrive.” More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Research

Seeing Artwork in a New Light

By Melissa Abraham | Published: September 19, 2011
Getty Conservation Institute scientist Jim Druzik holding one of several filters being evaluated for use in conservation lighting.

Jim Druzik is obsessed with light. More particularly, he’s concerned with the destructive power of light on priceless museum treasures, and it’s his pioneering work in conservation and preservation that could protect great works of art. Jim, a senior scientist… More»

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Posted in Behind the Scenes, Conservation, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

Drawing the Line: Conserving Master Drawings with a Light Touch

By Jessica Portner | Published: February 11, 2011
Working on Study of Three Skulls. At top left, the disfiguring oil stain; at top right, the same area of the sheet after the pastel application.
Working on Study of Three Skulls. At top left, the disfiguring oil stain; at top right, the same area of the sheet after the pastel application.

The intriguing exhibition The Secret Life of Drawings—closing this Sunday at the Getty Center—unveils hidden clues to unfinished works on paper, undiscovered sketches, and details of the artist’s craft. It also reveals that making damaged art look presentable can be… More»

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      floating-world-pictures:

      thegetty:

      This patron goes full-on Minerva and protects her son with a shield while her husband is away. Also, an owl. 

      Allegorical Portrait of the Van Risamburgh Family, 1790, Joseph Chinard

      Oh, I always loved this sculpture!  If I remember correctly, the son is leaning on his father’s sword?  But I haven’t visited it in ages and it’s hard to tell in these pics.

      Indeed! He’s propped up on a pile of armor and is indeed holding a dagger or sword too big for him in his right hand. Maybe easier to see here? 

      03/06/15

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