photographic processes

Posted in Behind the Scenes, J. Paul Getty Museum, Photographs, Film, and Video

Inside the Photography of Ishiuchi Miyako

Ishiuchi photographs a detail of the jacket
Ishiuchi photographs a detail of the jacket

70 years later, the Hiroshima bombing gives rise to hopeful art. More»

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Posted in J. Paul Getty Museum, Photographs, Film, and Video

Opposites Attract

Tarascon / Charles Tarascon
Tarascon, 1852, Charles Nègre. Waxed paper negative with selectively applied pigment, 9 5/16 x 13 1/16 in. The J. Paul Getty Museum, 2015.43.9

For 19th-century photographers, the negative was the true work of art. More»

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Posted in J. Paul Getty Museum, Photographs, Film, and Video, Publications

A Brief History of Animals in Photography

In the Box/Out of the Box / William Wegman
© William Wegman

Animals as photographic subject. More»

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Posted in Art, Exhibitions and Installations, Photographs, Film, and Video

A Re-Imagined Getty, Drenched in Color

Video still
Video still

A video inspired by photographic history and 20th-century art. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Light, Paper, Process: Reinventing Photography

Spin (C-824) / Marco Breuer

Seven photographers revel in process, experiment, chance, and the happy mistake. More»

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Posted in Art, Photographs, Film, and Video

Sculpted Photographs of the California Coast

Mussel Rocks, California / Laura Plageman
Courtesy of De Soto Gallery

You’ve never seen the California coast like this before. More»

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Posted in J. Paul Getty Museum, Photographs, Film, and Video

Skeletons Carousing in Hell

Stereograph with skeletons and Satan / French, 1860s or 1870s

Skeletons in our closet. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Re-Picturing Photographic History

Left: Arrangement of Botanical Specimens, 1838m William Henry Fox Talbot. Photogenic drawing negative, 8 13/16 x 7 1/4 in. The J. Paul Getty Museum, 84.XM.1002.10. Right: Arrangement of Botanical Specimens, 1839, 2008, Hiroshi Sugimoto. Gelatin silver print, 36 7/8 x 29 1/2 in. The J. Paul Getty Museum, 2013.64.9. © Hiroshi Sugimoto
Left: Arrangement of Botanical Specimens, 1838m William Henry Fox Talbot. Photogenic drawing negative, 8 13/16 x 7 1/4 in. The J. Paul Getty Museum, 84.XM.1002.10. Right: Arrangement of Botanical Specimens, 1839, 2008, Hiroshi Sugimoto. Gelatin silver print, 36 7/8 x 29 1/2 in. The J. Paul Getty Museum, 2013.64.9. © Hiroshi Sugimoto

Why is contemporary artist Hiroshi Sugimoto taking pictures of 175-year-old prints? More»

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Posted in Art, Exhibitions and Installations, Photographs, Film, and Video

Diorama-rama: History Behind Glass

Polar Bear, 1976, Hiroshi Sugimoto (Japanese, born 1948), gelatin silver print, © Hiroshi Sugimoto, The J. Paul Getty Museum, Los Angeles, Purchased with funds provided by the Photographs Council
© Hiroshi Sugimoto

Photographer Hiroshi Sugimoto plays with dioramas’ tension between real and fake, fact and spectacle. More»

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Posted in Art, Education, J. Paul Getty Museum, Photographs, Film, and Video

Friday DIY: Create Your Own Camera Obscura

gm_341591EX1

Make your own camera obscura two ways: in a box, or in a whole room. More»

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      First look at a hidden Rembrandt.

      We’ve known about the young man lurking underneath Rembrandt’s An Old Man in Military Costume since the painting was first X-rayed in 1968. Now science has finally caught up to (some of) our questions, allowing a tentative color reconstruction of the hidden painting.

      09/01/15

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