printmaking

Posted in Art, Education

What Mask Do You Wear?

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What is the Mobile Arts Platform and why should you tell us what mask you wear? More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Buck Teeth and All: True Lies in Early Color Printing

Portrait of Edouard Dagoty, Inventor of Color Printing / Carlo Lasinio

While working on the show The Getty Research Institute: Recent Print Acquisitions (in the GRI Gallery until September 2), I had the pleasure of getting to know one Édouard Gautier-D’Agoty. Every bit the late-18th-century gentleman-artist and rendered in velvety soft… More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

The Rise and Fall of Charles Le Brun: Q&A with Louis Marchesano

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I talked to Louis Marchesano, curator of prints and drawings at the Getty Research Institute, about the exhibition Printing the Grand Manner: Charles Le Brun and Monumental Prints in the Age of Louis XIV, now on view at the GRI—how… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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