Ray K. Metzker

Posted in Art, Exhibitions and Installations, Photographs, Film, and Video

Whispers and Shadows: Ray K. Metzker and “Street Noir”

City Whispers, Philadelphia / Ray K. Metzker
© Ray K. Metzker

“I imagine the people in Metzker’s photographs as supporting characters in a film noir—captured on an average day, precisely at the loneliest moment before the cruel twist of fate takes hold.” More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Simultaneous Viewing and Ray Metzker’s Composites

Chicago / Ray K. Metzker
The Nelson-Atkins Museum of Art, Gift of Hallmark Cards, Inc., 2005.27.1966. © Ray K. Metzker

The exhibition The Photographs of Ray K. Metzker and the Institute of Design in the Center for Photographs charts the five-decade-long career of Philadelphia-based photographer Ray K. Metzker and offers a context for his visual aesthetic through a selection of works by founding members and influential students of Chicago’s Institute of Design. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

A New Look at Ray K. Metzker

Chicago / Ray K. Metzker

Ray K. Metzker is one of the most innovative photographers of the last half century, though he is not as well known as some of his contemporaries. The new exhibition The Photographs of Ray K. Metzker and the Institute of… More»

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      All Hail Tiberius, Least Media-Savvy of the Roman Emperors

      Tiberius was proclaimed Roman emperor on September 17 in AD 14, exactly 2,000 years ago.

      He was also a bit wacko. “He was the least media-savvy emperor you could imagine,” says curator David Saunders, who has been in charge of this bronze portrait of Tiberius which leaves us on September 22. He point to this description found in the writings of Cassius Dio:

      Tiberius was a patrician of good education, but he had a most peculiar nature. He never let what he desired appear in his conversation, and what he said he wanted he usually did not desire at all. On the contrary, his words indicated the exact opposite of his real purpose; he denied all interest in what he longed for, and urged the claims of what he hated. He would exhibit anger over matters that were far from arousing his wrath, and make a show of affability where he was most vexed…In short, he thought it bad policy for the sovereign to reveal his thoughts; this was often the cause, he said, of great failures, whereas by the opposite course, far more and greater successes were attained.

      Moreover, David tells us, “Tiberius’s accession itself was a farrago: Tiberius sort-of feigning reluctance, the Senate bullying him, he being all, ‘Well, if-I-have-to,’ and in the end—according to Suetonius—saying he’ll do it as long as he can retire.”

      Suetonius is full of great, albeit spurious, anecdotes about poor old Tiberius, David reports. “When someone addressed him as ‘My Lord,’ it is said, Tiberius gave warning that no such insult should ever again be thrown at him.”

      Happy accession, My Lord!

      Portrait Head of Tiberius (“The Lansdowne Tiberius”), early 1st century A.D., Roman. The J. Paul Getty Museum

      Statue of Tiberius (detail), Roman, A.D. 37, Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei – Museo Archeologico Nazionale di Napoli, Laboratorio di Conservazione e Restauro. Currently on view at the Getty Villa following conservation and study.

      09/17/14

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