Ray K. Metzker

Posted in Art, Exhibitions and Installations, Photographs, Film, and Video

Whispers and Shadows: Ray K. Metzker and “Street Noir”

City Whispers, Philadelphia / Ray K. Metzker
© Ray K. Metzker

“I imagine the people in Metzker’s photographs as supporting characters in a film noir—captured on an average day, precisely at the loneliest moment before the cruel twist of fate takes hold.” More»

Also tagged , , Leave a comment
Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Simultaneous Viewing and Ray Metzker’s Composites

Chicago / Ray K. Metzker
The Nelson-Atkins Museum of Art, Gift of Hallmark Cards, Inc., 2005.27.1966. © Ray K. Metzker

The exhibition The Photographs of Ray K. Metzker and the Institute of Design in the Center for Photographs charts the five-decade-long career of Philadelphia-based photographer Ray K. Metzker and offers a context for his visual aesthetic through a selection of works by founding members and influential students of Chicago’s Institute of Design. More»

Also tagged , , , , 1 Response
Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

A New Look at Ray K. Metzker

Chicago / Ray K. Metzker

Ray K. Metzker is one of the most innovative photographers of the last half century, though he is not as well known as some of his contemporaries. The new exhibition The Photographs of Ray K. Metzker and the Institute of… More»

Also tagged , , , Leave a comment
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

  • Flickr