Rijksmuseum

Posted in Art, J. Paul Getty Museum, Paintings

Dear “Woman in Blue,” Let Me Tell You Of…

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“You will be forgotten. Your image, however, will be immortal. Through it, you will travel far—not by horse and cart, or merchant ship, but through the sky…” More»

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Posted in Art, Behind the Scenes, Paintings, Voices

Getty Voices: The Power of Vermeer

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Vermeer’s newly arrived Woman in Blue Reading a Letter seems calmly at home in our galleries—but introduces a distinctive new presence. More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Paintings

Write the Opening Line to Vermeer’s “Lady in Blue”

Detail of woman's face and letter in Woman in Blue Reading a Letter / Vermeer
Rijksmuseum, Amsterdam. On loan from the City of Amsterdam (A. van der Hoop Bequest)

What do you imagine the first line of this letter might say? Share your ideas, and we’ll continue the story. More»

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Posted in Art, Paintings, Photographs, Film, and Video, Prints and Drawings

Dogs Behaving Badly

A Merry Company / Jacob Jordaens
A Merry Company, about 1644, Jacob Jordaens. Watercolor and white gouache heightening over black chalk. The J. Paul Getty Museum, 2000.59

Most dogs are impeccably well behaved—in art, anyway. They sit quietly on laps, raise a paw for their beloved master, or contort themselves into perfect S curves. The king of Old Master dogs is Guercino’s heroic mastiff, who looks like… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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