Santa Monica Museum of Art

Posted in Behind the Scenes, Exhibitions and Installations, Getty Foundation

Art Historians Share Progress on Exhibitions for Pacific Standard Time: LA/LA

Discussion panel during the Pacific Standard Time workshop at the Getty Center, October 2014
Discussion panel during the Pacific Standard Time: LA/LA workshop

Work is in full swing on dozens of Pacific Standard Time exhibitions slated for 2017. More»

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Posted in Education, J. Paul Getty Museum

What Can We Learn from Artists’ Projects in Museums?

Giant Hand at the Hammer Museum
Machine Project's humorous "Giant Hand" installation at the Hammer Museum tackles wayfinding through humor. Photo courtesy of the Machine Project

More and more museums are inviting artists to go beyond hanging their art on their walls to create engaging visitor experiences inside the museum. At a panel discussion earlier this week, we invited curators, educators, and artists to talk about… More»

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Posted in Art, Getty Research Institute

Treasures from the Vault: Italian Artists’ Books

Books by Maurizio Nannucci. Top: Medium is word, 1975. Keleidoscope in a wooden box with a sliding top, 32 x 8 cm. Bottom: Museum of Modern Art, no. 15/30, 1983. Keychain inside a wooden box featuring a floor plan for a "Museum of Modern Art.” 7.3 x 10.8 cm. The Getty Research Institute, 890164, box 201 © Maurizio Nannucci
Books by Maurizio Nannucci. Top: Medium is word, 1975. Keleidoscope in a wooden box with a sliding top, 32 x 8 cm. Bottom: Museum of Modern Art, no. 15/30, 1983. Keychain inside a wooden box featuring a floor plan for a "Museum of Modern Art.” 7.3 x 10.8 cm. The Getty Research Institute, 890164, box 201 © Maurizio Nannucci
Saturday is the final day for the Santa Monica Museum of Art’s exhibition Libro/Oggetto: Italian Artists’ Books, 1960s–Now, a look at Italian artists’ books from the main art movements and trends of the second half of the 20th century. It... More»
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      #ProvenancePeek: June 30

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This portrait of actress Antonia Zárate by Goya is now part of the collection of the National Gallery of Ireland. The records of famed art dealer M. Knoedler & Co. at the Getty Research Institute reveal its recent provenance: the painting was sold by Knoedler on June 30, 1910, to financier Otto Beit. Part of his collection, including this painting, was later donated to the National Gallery of Ireland in Dublin. To this day the Gallery showcases some of its greatest masterpieces in the Beit Wing. This spread from a digitized Knoedler stock book records the transaction (second entry from top).

      M. Knoedler was one of the most influential dealers in the history of art. He sold European paintings to collectors (such as Henry Clay Frick, the Vanderbilts, and Andrew Mellon) whose collections formed the genesis of great museums such as the National Gallery of Art, the Metropolitan Museum of Art, the Frick Collection, the Huntington, and more. Knoedler’s stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Portrait of Doña Antonia Zárate, ca. 1805–06, José de Goya y Lucientes. Beit Collection, National Gallery of Ireland. Image courtesy of the National Gallery of Ireland.

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      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      06/30/15

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