science

Posted in Behind the Scenes, Conservation, Education, Getty Conservation Institute

Boot Camp for Conservators Explores X-Ray Fluorescence Spectrometry

XRF analysis of The Title Makers / Alfred Jensen
Artwork: Yale University Art Gallery

In a joint Yale-Getty program, conservators learn to harness physics to analyze art. More»

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Posted in Conservation, Getty Conservation Institute, Paintings, Research

The Value of Record Keeping: Frederick Hammersley’s Painting Books

Frederick Hammersley's paints and studio tools / Albuquerque, New Mexico
Frederick Hammersley's paints and studio tools as left on his painting table at his home studio in Albuquerque, New Mexico.

The artist’s remarkably detailed records offer a huge boon to conservation science. More»

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Posted in Architecture and Design, Behind the Scenes, Conservation, Getty Conservation Institute

What’s in a Wood? How Science Helps to Reveal the Eames’ Vision

The living room in the Eames House after conservation and reinstallation
The living room in the Eames House after conservation and reinstallation of the collection. The floor-to-ceiling wall of beautiful golden wood serves as the stunning backdrop for the room. Getty Conservation Institute

Conservators make an intriguing finding about the wood in the Eames House. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Research, Voices

Behind the Scenes at the GCI | Getty Voices

GCI Lab \ Beril Bicer-Simsir
Scientist Beril Bicer-Simsir testing grouts in the Getty Conservation Institute's laboratories.

A relatively new discipline, conservation science merges art and analysis to solve thorny conservation problems. More»

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Posted in Antiquities, Behind the Scenes, Conservation, Getty Conservation Institute, J. Paul Getty Museum, Research, Voices

Getty Voices: Attic Pots and Atomic Particles

Image_03

How did the ancient Greeks make their characteristic red-and-black pottery? Modern science may finally yield the answer. More»

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Posted in Art, Conservation, Getty Conservation Institute, Manuscripts and Books, Paintings

What Do Rocks Have to Do with Renaissance Art?

jerome_azurite_featured

Why the manuscript illuminations in Florence at the Dawn of the Renaissance really rock. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Research

Mars Rover Technology Helps Unlock Art Mysteries

Giacomo Chiari, head of the science department at the Getty Conservation Institute, examines the painting on the west wall in the tomb of King Tutankhamen

This coming weekend, NASA’s latest Mars Rover, Curiosity, is scheduled to touch down on the Red Planet to begin two years of scientific discovery, helping scientists unlock some of the planet’s as yet undiscovered secrets. Interestingly, the same technology being… More»

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Posted in Architecture and Design, Conservation, Getty Conservation Institute

Modern Architecture Under the Conservation Microscope

Schindler House (Los Angeles, Calif.), interior, 1987. © J. Paul Getty Trust. Used with permission. Julius Shulman Photography Archive, Research Library at the Getty Research Institute
Schindler House (Los Angeles, Calif.), interior, 1987. © J. Paul Getty Trust. Used with permission. Julius Shulman Photography Archive, Research Library at the Getty Research Institute

Despite the increased recognition that works of modern architecture such as the Sydney Opera House, Le Corbusier’s Chapel of Notre Dame du Haut in Ronchamp, France, or Mies Van der Rohe’s IIT College of Architecture campus are culturally significant and… More»

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Posted in Behind the Scenes, Gardens and Architecture, Getty Center, J. Paul Getty Museum

Ladybugs on the Lam!

Grounds and Gardens supervisor Michael DeHart with ladybugs

Artist Hirokazu Kosaka’s much anticipated presentation of “Kalpa” on January 20 at the Getty Center was an experimental performance spectacular, featuring hundreds of spools of thread being pulled in the mouths of Butoh dancers, and a shining spotlight that illuminated… More»

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Posted in Behind the Scenes, Conservation, Getty Villa

Seeing Art’s Bones: X-Raying Plant Fiber Objects at the Getty Villa

X-raying objects at the Getty Villa: Jeff Maish measures the distance between the table and the machine, while student Tessa de Alarcon adjusts the equipment to the desired height

We’re all familiar with the X-rays used to take images of people’s bones and teeth at medical and dental facilities. But did you know this same technology can also be used to examine the internal structures of museum objects? At… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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