vases

Posted in Ancient World, Antiquities, Exhibitions and Installations, Getty Villa

Three Ways to Avoid the Freeways: Transport Advice from Apulian Vases

Funerary Vessel with Phrixos on the Ram, 340–310 B.C., Attributed to the Phrixos Group. Created in Ceglie del Campo, Italy, Apulia. Terracotta, 18 1/2 in. diam. Antikensammlung, Staatliche Museen zu Berlin. © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius
Antikensammlung, Staatliche Museen zu Berlin. © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

Sick of driving? Hitch a ride on these mythical creatures. More»

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Posted in Ancient World, Antiquities, Art, Getty Villa

A Winged Chariot, Wilshire Boulevard, and a Shipwreck: The Travels of Triptolemos

Display case at the Getty Villa featuring Red-Figure Neck-Amphora with Triptolemos Attended by Demeter and Persephone
Display case at the Getty Villa featuring, at center, Red-Figure Neck-Amphora with Triptolemos Attended by Demeter and Persephone, about 440–430 B.C., attributed to the Hector Painter. Greek, made in Attica. Terracotta, 19 1/4 in. high. The Los Angeles County Museum of Art, William Randolph Hearst Collection (50.8.23)

Retracing the travels of a beautiful Greek vase, from Naples to England to Los Angeles by way of a near miss with the sea floor More»

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Posted in Education, J. Paul Getty Museum, Sculpture and Decorative Arts

A Strange and Wonderful Vase at Family Art Lab

Vase - detail of cast-bronze snails / Jean-Desire Ringel d’Illzach

This summer I’ve been helping to facilitate Family Art Lab, a weekend program at the Getty Center that combines a gallery exploration with hands-on art making in the Museum Courtyard. Through September 2, we’re offering a two-part experience centered around… More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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