100 Boots, 1971–73, Eleanor Antin. Halftone reproductions on 51 cards. 4 ½ x 7 in. each. The Getty Research Institute, 2011.M.23, 2006.M.24, 890164, and 2009.M.5 (Gift of Hal Glicksman). © Eleanor Antin. Courtesy Ronald Feldman Fine Arts, New York

24 Pieces, 1970, Allen Ruppersberg. Spiral-bound offset lithograph. Self-published book. 6 1/4 x 8 1/4 in. The Getty Research Institute, 89-B22093.c1. © Allen Ruppersberg

Shoot performance at F-Space Gallery in Santa Ana, California, 1971, Chris Burden. Gelatin silver print documenting the event by Alfred Lutjeans. 9 15/16 x 7 15/16 in. The Getty Research Institute, Gift of Art in the Public Interest and 18th Street Arts Center, 2006.M.8.41. © Chris Burden

A Gourmet Experience, 1974, Martha Rosler. Gelatin silver print. 10 1/16 x 7 15/16 in. The Getty Research Institute, Long Beach Museum of Art Video Archive, 2006.M.7.26 © Martha Rosler

Ablutions performance at Guy Dill’s studio, with Judy Chicago, Suzanne Lacy, Sandra Orgel, and Aviva Rahmani (Sponsored by Feminist Art Program at CalArts), 1972. The Getty Research Institute, Gift of Art in the Public Interest and 18th Street Arts Center, 2006.M.8.42. Photo courtesy Lloyd Hamrol

Al's Grand Hotel catalog, 1971, Allen Ruppersberg. Offset lithograph. 9 x 6 x 1/16 in. The Getty Research Institute, 94-B15837. © Allen Ruppersberg

Automotive Landscapes #5: Los Angeles, 1978, Anthony Hernandez. Gelatin silver print. 11 3/4 x 17 1/8 in. Purchased in part with funds provided by the Photographs Council of the J. Paul Getty Museum. © Anthony Hernandez

Backyard, Diamond Bar, California, 1980, Joe Deal. Gelatin silver print. 11 3/16 x 11 5/16 in. © Joe Deal

Backyard, Diamond Bar, California, 1980, Joe Deal. Gelatin silver print. 11 3/16 x 11 1/4 in. © Joe Deal

Big Blue Pink from the Flesh Gardens series, 1971, Judy Chicago. Sprayed acrylic lacquer on acrylic. 96 in x 96 in. Tom Jancar Gallery, Los Angeles. © Judy Chicago, 1971. Photo © Donald Woodman

Billy Al Bengston’s studio on Mildred Street in Venice, California, 1970. Image courtesy of and © Billy Al Bengston

Black on White, 2011, Robert Irwin. Granite. 60 x 36 x 392 in. This work was commissioned by the J. Paul Getty Trust in honor of James N. Wood. © Robert Irwin
These images show a model of the installation, the quarry in India where the granite was sourced, and the piece after delivery to the fabricator.

Exhibition announcement for Broxton Sequences: Sequential Imagery in Photography, at Broxton Gallery, 1976. The Getty Research Institute, Gift of Hal Glicksman, 2009.M.5.5. Courtesy of Gagosian Gallery

Womanhouse installation in Los Angeles, featuring Robin Weltsch’s Kitchen and Vicki Hodgetts’s Eggs to Breasts (Sponsored by Feminist Art Program at CalArts), 1972. The Getty Research Institute, 2000.M.43.1. Photo courtesy Lloyd Hamrol

Card to George Herms, 1970, Wallace Berman. Letterpress, ink, and gelatin silver print on board. 6 1/4 x 4 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.9. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles