Monthly Archives: November 2011

Posted in Getty Center

Getty Center Entrance Getting a Makeover

Architect's rendering of the new Getty Center entrance, coming fall 2014
Architect's rendering of the new Getty Center entrance, coming fall 2014

Fall 2014 marks the opening of a new Getty Center entrance, with easier access to bus and car parking and an improved drop-off area. More»

Tagged , , , , , 8 Responses
Posted in Getty Research Institute

Women Curators Remember the L.A. Art Scene in the Sixties

women_curators

In the 1960s and ‘70s, L.A.’s art scene arrived. How this came about, and what it was like to be part of the big shift, was the focus of a recent conversation with curators Barbara Haskell, Jane Livingston, and Helene… More»

Tagged , , , , , , , , , , , , 1 Response
Posted in Behind the Scenes, Education, Exhibitions and Installations, Getty Center, J. Paul Getty Museum, Photographs, Film, and Video

Snapshots: High School Students Photograph the Getty with Eileen Cowin

Eileen Cowin with students in the galleries of the J. Paul Getty Museum at the Getty Center

On October 25, students from Torres High School in Los Angeles flashed their photographic skills at the Getty Center with guidance by acclaimed photographer Eileen Cowin. The visit was part of Community Photoworks, an annual project offered by the Getty… More»

Tagged , , , , , , , Leave a comment
Posted in Antiquities, Exhibitions and Installations, Getty Villa, J. Paul Getty Museum

Ancient Art through Modern Eyes

Cycladic figures on display at the J. Paul Getty Museum at the Getty Villa

Have you ever come across a piece of ancient art that looked suspiciously…modern? It’s hard to believe that Cycladic figures, with their sleek minimalist outlines, were made more than 4,000 years before sculptors Constantin Brancusi and Henry Moore came along…. More»

Tagged , , , , , , , Leave a comment
Posted in Behind the Scenes, Exhibitions and Installations, Getty Research Institute

Al’s Wall

als_wall

Allen Ruppersberg is known for creating artworks that masquerade as ordinary objects, such as a diner, a hotel, a novel—and now, a wall. The artist spent a Thursday in September at the Getty Research Institute creating L.A. in the 70s,… More»

Tagged , , , , , , , Leave a comment
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

  • Flickr