About: Annelisa Stephan

Posted in Art

What’s the Difference between a Selfie and a Self-Portrait?

Close-up of face in Rembrandt Laughing / Rembrandt Harmensz. van Rijn
Rembrandt Laughing (detail), about 1628, Rembrandt Harmensz. van Rijn. Oil on copper, 8 3/4 x 6 3/4 in. The J. Paul Getty Museum, 2013.60

When is a selfie a self-portrait? When is it art? More»

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Posted in Architecture and Design, Education, J. Paul Getty Museum

Are We Living in a Barrier-Industrial Complex?

Gilo #1 / Miki Kratsman
Courtesy of and © Miki Kratsman

The art and politics of border walls. More»

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Posted in Art, Publications

How Much Do You Know about Color?

Brilliant History of Color quiz

Take this quiz to learn how much you *really* know about the rainbow. More»

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Posted in Behind the Scenes, J. Paul Getty Museum, Paintings

A Week in the Life of Manet’s “Spring”

Hanging Manet's Spring in the Getty Center, West Pavilion

Watch the arrival of Manet’s painting Spring, from delivery van to gallery wall. More»

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Posted in Art, Getty Research Institute, Manuscripts and Books

600 Historic Recipes for Potions, Paints, and Pastes

Screen Shot 2014-11-25 at 2.27.34 PM

Vintage recipes for pretty much anything, for free! More»

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Posted in Antiquities, Getty Villa, J. Paul Getty Museum

Meet Jeffrey Spier, the Getty Museum’s New Antiquities Chief

Getty Museum's senior curator of antiquities, Jeffrey Spier, in the East Garden at the Getty Villa
Getty Museum's senior curator of antiquities, Jeffrey Spier, in the East Garden at the Getty Villa

What the Getty Museum’s new senior curator of antiquities has on his to-do list. More»

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Posted in Art, Education, Getty Center, Prints and Drawings

Watch the Oakes Brothers’ Drawing of the Getty Take Shape, Line by Line

The Oakes Brothers in the Central Garden at the Getty Center, 2011

See artist-brothers Ryan and Trevor Oakes live-sketch the Central Garden. More»

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Posted in Behind the Scenes, Education, J. Paul Getty Museum

Everything You Wanted to Know about Medieval Arms and Armor

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Come see how arms and armor are made in free demos at the Getty Center. More»

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Posted in Getty Center

Dad-Tested Tips for Taking Your Son to the Art Museum

Luken Murphy in the Getty Center's Museum Entrance Hall
Museums are magic! Luken Murphy in the Getty Center’s Museum Entrance Hall holding a set of Art Detective Cards, which guide families on a treasure hunt through the galleries. Photo (minus creatures) courtesy of Brian Murphy

Museums are magical! Especially when little boys and their cool dads are involved. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Re-Picturing Photographic History

Left: Arrangement of Botanical Specimens, 1838m William Henry Fox Talbot. Photogenic drawing negative, 8 13/16 x 7 1/4 in. The J. Paul Getty Museum, 84.XM.1002.10. Right: Arrangement of Botanical Specimens, 1839, 2008, Hiroshi Sugimoto. Gelatin silver print, 36 7/8 x 29 1/2 in. The J. Paul Getty Museum, 2013.64.9. © Hiroshi Sugimoto
Left: Arrangement of Botanical Specimens, 1838m William Henry Fox Talbot. Photogenic drawing negative, 8 13/16 x 7 1/4 in. The J. Paul Getty Museum, 84.XM.1002.10. Right: Arrangement of Botanical Specimens, 1839, 2008, Hiroshi Sugimoto. Gelatin silver print, 36 7/8 x 29 1/2 in. The J. Paul Getty Museum, 2013.64.9. © Hiroshi Sugimoto

Why is contemporary artist Hiroshi Sugimoto taking pictures of 175-year-old prints? More»

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      #ProvenancePeek: June 30

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This portrait of actress Antonia Zárate by Goya is now part of the collection of the National Gallery of Ireland. The records of famed art dealer M. Knoedler & Co. at the Getty Research Institute reveal its recent provenance: the painting was sold by Knoedler on June 30, 1910, to financier Otto Beit. Part of his collection, including this painting, was later donated to the National Gallery of Ireland in Dublin. To this day the Gallery showcases some of its greatest masterpieces in the Beit Wing. This spread from a digitized Knoedler stock book records the transaction (second entry from top).

      M. Knoedler was one of the most influential dealers in the history of art. He sold European paintings to collectors (such as Henry Clay Frick, the Vanderbilts, and Andrew Mellon) whose collections formed the genesis of great museums such as the National Gallery of Art, the Metropolitan Museum of Art, the Frick Collection, the Huntington, and more. Knoedler’s stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Portrait of Doña Antonia Zárate, ca. 1805–06, José de Goya y Lucientes. Beit Collection, National Gallery of Ireland. Image courtesy of the National Gallery of Ireland.

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      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      06/30/15

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