Subscribe to Art + Ideas:

“The camera sort of teaches you to see in a really different way and to experience your environment in a different way, and to pay attention to the act of looking.”

Photographer Uta Barth’s photographs focus on the act of looking. She has long been interested in creating images in which there is no discernable subject, but rather the image or light itself is the subject. Barth’s conceptual photographs examine how we see and how we define foreground and background. Her series are often long-term engagements; she photographs the same place over many months, or even years, to understand how light changes a space over time. She recently completed a series at the Getty Center taken over the course of a year and comprising over 60,000 images. Barth has received fellowships from the National Endowment for the Arts, the Guggenheim Memorial Foundation, and the MacArthur Foundation.

In this episode, Barth discusses her approach to making images through several of her bodies of work including Ground, Figure, and her new Getty series. Her career will be the subject of a retrospective at the Getty Center in fall 2022.

Blurry image of a warm white wall in front of another wall with a bit of light wood floor also visible on the right.

Ground #58, 1994, Uta Barth. Laminated inkjet print, 9 1/2 × 12 × 1 3/4 in. Getty Museum, 2016.39 © Uta Barth

More to explore:

Uta Barth

JAMES CUNO: Hello, I’m Jim Cuno, president of the J. Paul Getty Trust. Welcome to Art and Ideas, a podcast in which I speak to artists, conservators, authors, and scholars about their work.
UTA BARTH: The camera sort of teaches you to see in a really different way and to experience your...

Music Credits
“The Dharma at Big Sur – Sri Moonshine and A New Day.” Music written by John Adams and licensed with permission from Hendon Music. (P) 2006 Nonesuch Records, Inc., Produced Under License From Nonesuch Records, Inc. ISRC: USNO10600825 & USNO10600824

Logo for Art Plus Ideas podcast
This post is part of Art + Ideas, a podcast in which Getty president Jim Cuno talks with artists, writers, curators, and scholars about their work.
See all posts in this series »