I’m always amazed when science can provide a new glimpse into the life and works of an artist who lived long before my time. It makes me feel closer to the artist’s intention to be able to understand how he...
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Kathryn Gleason is an expert on Roman gardens and a pioneer in the field of garden archaeology, an exciting and relatively new field. In advance of her lecture on Roman gardens this Saturday at the Getty Villa, she spoke...
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On the occasion of head preparator Bruce Metro’s retirement today from the Getty Museum after 31 years, chief registrar Sally Hibbard and senior conservator for antiquities Jerry Podany, also longtime Getty employees, sat down to discuss Bruce’s impact on...
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Zero-calorie doughnuts and tarts while supplies last at the Museum Store! Get ‘em while they’re hot! Much like other calorie-free foods, these desserts aren’t edible. They’re photographs by Jo Ann Callis imprinted on dessert plates. Callis’s photographs elevate decadent desserts...
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Sophocles’ Elektra—which concludes its run at the Getty Villa this Saturday—is the story of a woman’s thirst for revenge: Elektra rages and plots against her mother (and her mother’s lover) for slaying her father. But Elektra’s brother, Orestes, is...
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Can you handle this book? It’s one of the most challenging we’ve ever published. Not in the words—it has only 97 of them—but in what it does to your mind. Featuring beautiful surrealist-inspired paintings by artist Sarah Perry, If…...
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Question of the Week is a new blog series inspired by our Masterpiece of the Week tours, offered daily at the Getty Center at 4:00 p.m. Featuring an open and upbeat discussion among visitors and gallery teachers, the tours...
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Robert Weingarten’s work spans the possibilities of photography—from traditional black-and-white prints to digital mashups composed entirely in Photoshop. In advance of his lecture at the Getty Center this Thursday, September 16, I spoke to him about his approaches to...
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What is it like to perform Greek tragedy in an outdoor theater setting? The director, the composer and musical director, and cast members of the sold-out new production of Sophocles’ Elektra—which premieres tonight at the Getty Villa—gave us their...
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“Gérôme forged narrative practices that would take the cinema decades to invent,” art historian Marc Gotlieb told a packed auditorium recently in a discussion of The Spectacular Art of Jean-Léon Gérôme, which closes this Sunday. Really? How could a...
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After a cool early summer, toasty picnic weather has finally arrived in L.A. The Getty is a great place for outdoor eats—this weekend, the Center is open Saturday and Sunday, and the Villa is open all three days, including...
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It’s been 27 years since art historian Linda Nochlin published her essay “The Imaginary Orient,” a critique of sexist and racist depictions of “brown and black folk” by Western artists such as Jean-Léon Gérôme. Back then, “I was put...
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