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Encuentros Quemando con Surreal Encanto

Digging for fire at the Getty Research Institute’s recent symposium Vivísimo Muerto: Debates on Surrealism in Latin America, I recalled Guillaume Apollinaire’s thoughts on what I believe to be the essence of Surrealism: “When man wanted to make a...

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Cook Your Own Aztec Feast

Mexican cooking as we know and love it in the U.S.—moles, carne asada, burritos, cafe con leche, loads of melty cheese—would have been unrecognizable to the Aztecs. They didn’t have cows, pigs, sugar, cheese, butter, cinnamon, or wheat. They...

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Listening to Edward Hopper’s Silence

How do you make a movie about Edward Hopper? The artist—famous for his haunting and enigmatic paintings such as Nighthawks and New York Movie—was conspicuously taciturn, speaking little about his work, giving few interviews, and keeping to a small...

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Soccer and Opera: A Common History?

The World Cup kicks off today in South Africa, and the international mania for soccer—sometimes known as “the beautiful game’’—put me in mind of one of the many interesting treasures held in the collections of the Getty Research Institute....

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Geoff Dyer Is Not a Bore

When British author Geoff Dyer came to speak at Zócalo Public Square at the Getty Museum, he was prepared to be a bore. “It’s going to be the classic definition,” he said, “the bore, the person who lectures you...

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Leonardo da Vinci, Anatomist

Leonardo da Vinci worked for 25 years on a complete guide to the human form that would have transformed the study of anatomy in Europe. But the project was never finished and the notes were all but lost for...

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Natalie Merchant on Art, Poetry, and Music

On a rainy afternoon at the Getty Center, two dozen students and teachers anxiously awaited the arrival of Natalie Merchant. Stopping at the Getty on her national tour, the singer-songwriter had invited them to attend a workshop on the...

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