Ancient Art Preserved for Our Time
The Getty Villa reinstallation offered conservators new opportunities and discoveries.
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Processing the Material Record of the Tomb of Nefertari Project
Inside a newly catalogued conservation archive.
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Talk: The Responsibility to Protect Cultural Heritage in Conflict Zones
Should art and monuments be safeguarded from war?
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20 Years at the Getty Center: A Getty Conservation Institute Perspective
Twenty years of conservation work in and around LA.
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Reconstructing a Masterpiece of Choir Book Illumination by Niccolò da Bologna
A close look at six newly donated pages from a Renaissance choir book.
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Six Lessons Learned from Our First Crowdsourcing Project in the Digital Humanities
Crowdsourcing is not “free” labor, and other lessons from our first foray into citizen transcription.
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An Archival Trail: Concrete Art in Argentina
Concrete art in Argentina and Brazil, as told through papers in the special collections.
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“How to Tell Your Friends from the Japanese”: The Malvina Hoffman Papers and the Races of Mankind
“When it came to race in the 1930s, everyday people just got it wrong.”
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Respuestas a sus preguntas sobre las artes suntuarias en la América precolombina (“Luxury Arts in the Ancient Americas”)
¿Qué vale más que el oro? Expertos responden a preguntas acerca de los artes en la América antigua.
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Your Questions About Luxury Arts in the Ancient Americas, Answered
What’s more valuable than gold? Experts answer your questions about art in the ancient Americas.
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On Snakes, Spiders, and Bananas: The Flora and Fauna of PST: LA/LA
The wildlife of Pacific Standard Time.
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Our Responsibility to Protect Cultural Heritage in Conflict Zones
New paper examines the importance of preserving cultural heritage in times of war.
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