Many couples have a favorite song, a tune that conjures up memories of blissful infatuation and unending devotion. Elia and Maranatha have a painting. The couple met three years ago when Elia, a musician, was playing at a club...
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The intriguing exhibition The Secret Life of Drawings—closing this Sunday at the Getty Center—unveils hidden clues to unfinished works on paper, undiscovered sketches, and details of the artist’s craft. It also reveals that making damaged art look presentable can...
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The relationship between the individual tree and the scene or the event depicted is what is interesting to see and to understand. Each photo tells a unique story. Trees are sometimes so old, they have seen so much. Trees don’t wait for the photographer to be beautiful or expressive, they just are.
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The new exhibition Brush & Shutter: Early Photography in China uses photographs, along with a few paintings and other artistic media, to tell a largely unknown story about China. In the second half of the 19th century, when China...
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Frances Terpak, curator of photographs, talks about the new Robert Mapplethorpe Archive.
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Answers to your questions about illuminated manuscripts.
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L.A. theater ensemble Poor Dog Group is unleashing Satyr Atlas, a re-imagining of ancient Greek satyr plays, at the Getty Villa this weekend. What are satyr plays, you ask? Neither tragedy nor comedy, but a dramatic universe of their...
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Jaime Ursic believes everyone should study drawing. Not just because she’s an artist, but because it gives you two near-magical gifts: looking closely, and slowing down time. She’ll show you how to do both at Drawing from Antiquity, a...
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For ancient Greeks and medieval Europeans, the Trojan past lived in the present.
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New for summer 2012—The Vexed Man is back at the Getty, but he’s moved from his usual haunts for the exhibition Messerschmidt and Modernity, July 24–October 13, 2012. The show brings together several of Messerschmidt’s Character Heads, including the...
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More than 60 people sit, chat, and play in this elaborate composition outside the entrance to the Jardin Turc, or Turkish Garden Café, in early-1800s Paris. The café was known for its spacious gardens, exotic pavilions, and excellent ice...
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At a time when we’re accustomed to viewing art in museums—and often in galleries that more or less resemble a white cube—it’s worth thinking back a few centuries to the way many of the paintings and objects in collections...
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