Come Eye to Wild Eye with the Bronze Sculptures in the Getty Villa Gardens
The statues at the Getty Villa mirror the display at the Villa dei Papyri.
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Rethinking Latin American Art
Is there any consensus about the definition and field of “Latin American art”? This question was the subject of discussion by a group of international art historians and curators at a recent two-part, two-continent symposium, Between Theory and Practice:...
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Women Curators Remember the L.A. Art Scene in the Sixties
In the 1960s and ‘70s, L.A.’s art scene arrived. How this came about, and what it was like to be part of the big shift, was the focus of a recent conversation with curators Barbara Haskell, Jane Livingston, and...
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Ancient Art through Modern Eyes
Have you ever come across a piece of ancient art that looked suspiciously…modern? It’s hard to believe that Cycladic figures, with their sleek minimalist outlines, were made more than 4,000 years before sculptors Constantin Brancusi and Henry Moore came...
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To Walter with Love: Ed Kienholz’s “Walter Hopps Hopps Hopps”
Sometimes, only a friend will tell you what they really think. Take the case of artist Ed Kienholz and curator Walter Hopps. Kienholz’s over-life-size assemblage portrait of his friend, Walter Hopps Hopps Hopps—the inspiration for our collage meet-up this...
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Cellini Gets a Rival
A beautiful bronze Double Head, attributed to the Italian sculptor Francesco Primaticcio, has just joined the Museum’s collection. Though made by an Italian, it was commissioned by a Frenchman: Francis I, the king of France, for his palace at...
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Five Tips for Sketching at the Museum
Express yourself—drawing is allowed!
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Welcoming the Berthouville Treasure to the Getty Villa
The J. Paul Getty Museum and Cabinet des Médailles of the Bibilotheque nationale de France (the department of coins, medals, and antiques of the National Library of France) are collaborating on the research and conservation treatment of the Berthouville Treasure,...
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It Happened in L.A.: Artists Turn to Zen
Artists’ studios aren’t generally thought of as meditative places. The stereotype is one of disarray—an image comes to mind of paintbrushes, sculpting tools, or other instruments of the trade strewn about a room, as if to signal an unruly...
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Time for a Manuscript Close-Up! Welcoming the Abbey Bible to the Museum
The 13th-century illuminated manuscript known as the Abbey Bible recently joined the collection of the Getty Museum—and when the special book arrived, the task of documenting it fell to me. This meant I had to spend a lot of...
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A Portrait of Venice Unmasked
The life of a painting can be pretty unpredictable. Some are constantly on the move, reaching different parts of the world as they travel through time. When I started at the Getty as an intern, I had only recently...
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Seeing Artwork in a New Light
Jim Druzik is obsessed with light. More particularly, he’s concerned with the destructive power of light on priceless museum treasures, and it’s his pioneering work in conservation and preservation that could protect great works of art. Jim, a senior...
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