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Lifted Cellulose Nitrate: Conserving an Early Robert Mapplethorpe Object

Juliane Wattig | January 24, 2014

A conservator’s view of a complex and unusual object by Robert Mapplethorpe.

Four Minds on Herzog: A Conversation with Paul Young

Arpad Kovacs and Anne Martens | January 22, 2014

“I think he sees Hearsay of the Soul as a poem, and doesn’t want to make a documentary—that was a very deliberate choice. It feels very personal, and that’s what makes it interesting.”

New Virtual Library Offers over 250 Art Books for Free Download

James Cuno | January 21, 2014

From Egypt to the 1960s, our Virtual Library offers art titles for free.

In This Unusual Exhibition, Sculpture Is Best Viewed by Car

Gwynn Murrill | January 16, 2014

Art best viewed from behind the wheel? In Century City, cast bronzes of SoCal fauna create an outdoor, drive-by art gallery. A tour.

New Audio Tour Celebrates the Getty Villa’s 40th Anniversary

Nina Diamond | January 16, 2014

Did you know Romans kept eels as pets and bought them…jewelry? Come stroll the grounds of this 40-year-young institution to hear that story and a few others besides.

David Hockney in the Promised Land

Clare Kunny | January 14, 2014

Why is vibrant color, like green, characteristic of Hockney’s landscapes of Northern England?

Getty Voices: Aztec Idols, Explorers, and Egyptomania

Peter Bonfitto | January 13, 2014

How did a 19th century scholar misidentify an Aztec sculpture as Egyptian?

A Medieval Soap Opera

Elizabeth Morrison and Bryan Keene | January 7, 2014

Falling in love in the Middle Ages was more of a roller-coaster ride than today’s soap operas.

The Miracles at Canterbury

Cheryl Preston | December 26, 2013

Born from Thomas Becket’s martyrdom on December 29, 1170, the stained glass in Trinity Chapel at Canterbury Cathedral reveals some of the most fascinating tales of the miraculous.

An Illuminated Christmas

Annelisa Stephan | December 25, 2013

A nearly 900-year-old nativity scene, rendered in gold and jewel tones.

Giorgio Vasari’s Monumental Painting “Last Supper” Reemerges After Nearly 50 Years

Melissa Abraham | December 23, 2013

For the first time in 47 years, the five wooden panels that make up Giorgio Vasari’s “Last Supper” are joined together again to make the artwork whole.