In George Stubbs’s Brood Mares and Foals, which arrived at the Museum in October as a temporary anonymous loan, horses are sympathetically portrayed within the bucolic landscape of the English countryside. The overriding mood is idyllic, as a small...
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Bridging the visions of Le Corbusier and Lucien Hervé.
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A long lively stroke of deep brilliant blue, black, and white, a curved swipe of muted yellow, a short dab of red—perhaps you’ve seen artist Roy Lichtenstein’s colorful painted aluminum sculpture Three Brushstrokes on a visit to the Getty...
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If our globe had a school playground, could you spot Italy? That’s right, the one voted “most popular.” Good-looking, sharp, charismatic. Plus, a rock star in art class. This year, the popular kid turns 150. Surprisingly, the nation that...
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Mighty sieges and human follies. The bravado of warriors and the rages and schemes of gods. The Iliad, one of the best-told epics of all time, will be heard aloud again when some 150 volunteer readers recite the ancient...
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What forces shaped J. Paul Getty into the man portrayed in his diaries? The Getty’s Institutional Archives recently acquired a collection that illuminates Getty’s formative years. In addition to many other things, the J. Paul Getty Family Collected Papers...
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Photographer Susan Meiselas appears at the Getty Center this Friday evening to talk about her work and screen her 1991 film Pictures from a Revolution. Joining her to discuss the depiction of Latin America is Miguel Tinker Salas, professor...
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On the occasion of head preparator Bruce Metro’s retirement today from the Getty Museum after 31 years, chief registrar Sally Hibbard and senior conservator for antiquities Jerry Podany, also longtime Getty employees, sat down to discuss Bruce’s impact on...
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When British author Geoff Dyer came to speak at Zócalo Public Square at the Getty Museum, he was prepared to be a bore. “It’s going to be the classic definition,” he said, “the bore, the person who lectures you...
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