What do you do at the Getty? I work on a variety of Web and new media projects that allow me to collaborate with my colleagues within the Web Group as well as other departments across the Getty. I’m...
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Italy is full of extraordinary, breathtaking round-the-corner experiences. You round a corner in Rome and find the Pantheon. In Pisa it could be the Torre Pendente di Pisa, better known as the Leaning Tower. When you arrive at the...
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Greeting you as you enter the exhibition In Focus: Still Life are two beautiful photographs that incorporate dead animals in their compositions. Lorikeet with Green Cloth by Marian Drew includes a parrot on a plate, while Sharon Core’s portrait...
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After a cool early summer, toasty picnic weather has finally arrived in L.A. The Getty is a great place for outdoor eats—this weekend, the Center is open Saturday and Sunday, and the Villa is open all three days, including...
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Picture this: You’re in the 18th century taking a Grand Tour across Europe, making all the “in” stops such as France and Italy. Before heading back home, you have one final task: buying souvenirs! You’ve taken fencing lessons in...
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What do you do at the Getty? I manage the Getty Vocabulary Program. You probably want to know what that is! We compile databases of terminology that allow people to catalog art and to retrieve information about it. I’ve...
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“Focus is power,” said theater director Peter Sellars to a packed crowd at the American Association of Museums annual meeting earlier this year. Artworks can make you recognize things you instinctively knew but weren’t able to articulate. They bring...
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What is your job at the Getty? I’m an education specialist for family programs. Since I came to the Getty Villa in 2008, I’ve been building programs that appeal to parents and kids. There’s also a healthy new education...
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We continue our look at intriguing but lesser-known works from the Getty’s collection with two more off-the-beaten-path tips from Museum educators. In a previous post we looked at three relief sculptures; now we turn to two lovingly detailed paintings...
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I talked to Louis Marchesano, curator of prints and drawings at the Getty Research Institute, about the exhibition Printing the Grand Manner: Charles Le Brun and Monumental Prints in the Age of Louis XIV, now on view at the...
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Digging for fire at the Getty Research Institute’s recent symposium Vivísimo Muerto: Debates on Surrealism in Latin America, I recalled Guillaume Apollinaire’s thoughts on what I believe to be the essence of Surrealism: “When man wanted to make a...
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During a tour of the new exhibition The Spectacular Art of Jean-Léon Gérôme, curator Mary Morton stopped in front of Gérôme’s Snake Charmer and asked the audience, “What do you see?” Murmurs spread through the crowd. One brave little...
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