One of the most exciting aspects of curatorial work is the privilege of bringing you great works of art that were rarely seen before their acquisition by the museum. Case in point: the Stammheim Missal, one of the greatest...
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What is “¡Sí Cuba! SoCal,” you ask? Well, it all started in New York this spring with a multi-venue festival celebrating Cuban culture, called ¡Sí Cuba!. Then, coincidentally, several cultural institutions across Southern California, including we here at the...
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I talked to Louis Marchesano, curator of prints and drawings at the Getty Research Institute, about the exhibition Printing the Grand Manner: Charles Le Brun and Monumental Prints in the Age of Louis XIV, now on view at the...
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When eight colleagues from Jordan’s Department of Antiquities (DoA) came to the Getty Conservation Institute (GCI) in early April, they had only an inkling of what was in store. Sure, they knew they were going to be trained on...
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