Eleven teachers enter an underground room at the Getty Villa. In a space with wooden crates marked “fragile” sits a large table. They are asked to put on latex gloves as an aura of anticipation fills the air. “When...
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Highlights from the Getty Research Institute’s collection of Italian artists’ books.
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The frailty of the human condition—and the cruelty of untimely loss of life—is one of art’s oldest and most enduring themes. Every year on December 1, we’ve reflected on this theme for Day Without Art, an international day of...
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Eighteen months ago we at the Getty Research Institute decided to give our website a complete overhaul. A small group formed and spent the first three months looking through hundreds and hundreds of pages on our site. We talked,...
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Ancient Greek theaters, seen by plane.
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Renoir's portrait of Cahen d-Anvers and de Waal's netsuke
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Drapery—artfully folded fabric—has been used by European artists for centuries, from ancient Greek sculpture to contemporary photography. As I prepare for the studio course I’m leading this Wednesday on sketching drapery after the Old Masters, I’ve been thinking about...
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Kathryn Gleason is an expert on Roman gardens and a pioneer in the field of garden archaeology, an exciting and relatively new field. In advance of her lecture on Roman gardens this Saturday at the Getty Villa, she spoke...
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I would like to introduce to the world the Villa Teen Apprentices. This group of talented young adults is the second batch to work with us at the Villa on creating an innovative new program for the Getty designed...
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What do you do at the Getty? I work on a variety of Web and new media projects that allow me to collaborate with my colleagues within the Web Group as well as other departments across the Getty. I’m...
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Sophocles’ Elektra—which concludes its run at the Getty Villa this Saturday—is the story of a woman’s thirst for revenge: Elektra rages and plots against her mother (and her mother’s lover) for slaying her father. But Elektra’s brother, Orestes, is...
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Pamela Reed rips into the role of murderous queen Clytemnestra in Sophocles’ Elektra with gusto. She creates a character that reviewers have described as despicable, divalike, suave, snarky, and imperious—in short, a perfect and delicious villain. In this video,...
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