Edward Ruscha

Posted in Education, J. Paul Getty Museum

Will the Real Los Angeles Please Stand Up?

Reed Johnson (moderator) with, from left, filmmakers Thom Andersen and William Friedkin and film critics Richard Schickel and Kenneth Turan

Impersonal concrete sprawl. A surfer’s paradise. A dark battleground of grisly crimes. Los Angeles is a regular character in the movies, on TV, in books, and in art, but its identities are as numerous as its roles. The recent conference… More»

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Posted in Art, Getty Research Institute, J. Paul Getty Museum, Photographs, Film, and Video

Ruscha Sees L.A.

Shoot from Hollywood Blvd. / Ed Ruscha
Shoot from Hollywood Blvd., Ed Ruscha, 1973. Contact sheet. Part of the Streets of Los Angeles Archive, The Getty Research Institute. © Ed Ruscha

The Getty has just acquired photographs by Ed Ruscha. Seventy-four prints, including depictions of gas stations from Los Angeles to Oklahoma City along Route 66, sidewalk views of buildings that were included in his self-published books Some Los Angeles Apartments and… More»

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      #ProvenancePeek: Winslow Homer at the Met

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      The provenance of this Winslow Homer marine, or seascape, is relatively straightforward as these things go. It was entered into the stock books of M. Knoedler and Co, prominent New York art dealers, in October of 1901. Knoedler & Co purchased the painting, titled Cannon Rock, from Chicago pastor and educator Dr. Frank Gunsaulus on October 24, 1901. Just over two weeks later, on November 9, the firm sold it to art collector and dry goods merchant George Arnold Hearn. Hearn made a gift of his collection to the Metropolitan Museum of Art in 1906, and that is where Cannon Rock has lived ever since.

      This seascape is one of Homer’s later works, notable for its flatness. Homer spent the last 25 years of his life living in coastal Maine, painting land- and seascapes that both respect and challenge nature’s authority. Cannon Rock’s mellow provenance tale belies the powerful scene it presents.

      The stock books of the Knoedler Gallery have recently been transformed into a searchable database which anyone can query for free.

      Cannon Rock, 1895, Winslow Homer. Oil on canvas, 40 x 40 in. The Metropolitan Museum of Art, New York, Gift of George A. Hearn, 1906 (above); pages from the Knoedler stock and sales books listing the painting (below).


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.


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