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Posted in Getty Research Institute, Paintings, Research

Database of Knoedler Gallery Stock Books Now Online

Scan of a Knoedler stock book
Scan of a Knoedler stock book noting inventory of paintings by Moreau, Gérôme, and others. The Getty Research Institute, 2012.M.54

New online: searchable records from the 19th-century stock books of famed art dealers Knoedler Gallery. More»

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Posted in Art, Behind the Scenes, Getty Research Institute, Paintings, Research

Life Before eBay: British Art Auctions at the End of the 18th Century


A major new project traces the rise of the British art market in the late 1700s. More»

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Posted in Getty Research Institute, Publications, Research

New Online Resource to Reveal Stories about Nazi-Looted Art, Wartime Art Market

Paintings in storage at the Munich Central Collecting Point / Johannes Felbermeyer
Paintings in storage at the Munich Central Collecting Point, ca. 1945–49, Johannes Felbermeyer. This was one of several sites used by the Allies to identify, photograph, and restitute Nazi-seized artworks after the war. Photo Study Collection. The Getty Research Institute, 89.P.4

Featuring over 2,000 newly digitized catalogs, a new database will revolutionize Nazi-era art research. More»

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      The Queen Who Wasn’t

      Louis XIV clandestinely wed his mistress, Madame de Maintenon, at Versailles on October 9 or 10, 1683. The marriage was much gossiped about but never openly acknowledged. She was never queen.

      Madame de Maintenon had been the {judgy} governess to Louis XIV’s children by his previous mistress, Madame de Montespan. Louis gave these children moneyed titles—such as the comte de Toulouse, who ordered the tapestries shown here for his residence outside Paris.

      Louis’s secret marriage ushered in a period of religious fervor, in sharp contrast to the light-hearted character of his early reign. Madame de Maintenon was known for her Catholic piety, and founded a school for the education of impoverished noble girls at Saint-Cyr in 1686 that stayed in operation until 1793. This engraving of the Virgin and Child was dedicated to her by the king.

      Virgin and Child, late 1600s, Jean-Louis Roullet after Pierre Mignard; Johann Ulrich Stapf, engraver. The Getty Research Institute. Tapestries from the Emperor of China series. The J. Paul Getty Museum


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