Getty Research Institute collection

Posted in Getty Research Institute, Manuscripts and Books, Research

Treasures from the Vault: The Research Papers of Elizabeth Roth, Keeper of Prints and Rare Books at the NYPL

Design for Fireworks Display
This print shows the design for a fireworks display that was scheduled to take place on June 22, 1763, near the Place Louis XV in Paris; the event was in celebration of the treaties marking the end of the Seven Years' War. The display features a façade elevated on a rocky island on the Seine and topped with an equestrian statue placed under a slender arch. Palm trees, exotic animals, putti, and allegorical figures appear among the rocks, while spectators are gathered on the shore.

A life’s work devoted to the unique art of festival books. More»

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Posted in Behind the Scenes, Getty Research Institute, Research

Pictures for Education: The Records of Art Dealer M. Knoedler & Co.

16114v.jpg
Booker T. Washington, 1905–45, Harris & Ewing. Library of Congress, Prints and Photographs Division, LC-H25- 14111-B

Booker T. Washington appears in the M. Knoedler archive. More»

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Posted in Exhibitions and Installations, Getty Research Institute, Prints and Drawings

Louis XIV’s Golden Dome

Facade of the Church of the Invalides / Pierre Lepautre after Jules Hardouin-Mansart
Facade of the Church of the Invalides, 1687, Pierre Lepautre after Jules Hardouin-Mansart. Etching and engraving from a bound volume of 14 prints (Bâtiments du roi, Paris, 1687). The Getty Research Institute, 1392-604

A rare print for the dome of the Invalides in Paris reflects Louis XIV’s ambitions to make Paris “a new European center of architectural magnificence.” More»

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Posted in Behind the Scenes, Getty Research Institute

6 Questions for the Getty’s Institutional Archivist

Nancy Enneking, Head of Institutional Records at the Getty, reviews photographs with her team of institutional archivist.
Nancy Enneking, Head of Institutional Records at the Getty, reviews photographs with her team of institutional archivist.

From a model of the Getty Center to a corrupt floppy disk, it’s all in there. More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Louis XIV, the Original King of Viral Media

Louis le Grand / Pierre Drevet after Hyacinthe Rigaud
Louis le Grand 1714–1715, Pierre Drevet after Hyacinthe Rigaud. Engraving. The Getty Research Institute, 2011.PR.13

The original tech-savvy celebrity. More»

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Posted in Art, Behind the Scenes, Getty Research Institute

Treasures from the Vault: The Business Files of Harald Szeemann

Wine box used by Harald Szeemann to file his business papers
Szeemann's handy filing system: wine boxes. Here, Merlot + Marrakech.

Wine, meticulous receipts, and reimagined police tape in the curator’s files. More»

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Posted in Art, Getty Research Institute, Photographs, Film, and Video

Treasures from the Vault: Malcolm Lubliner’s Photographs of the L.A. Art Scene

Jasper Johns, 1968, Malcolm Lubliner
© Malcolm Lubliner Photograph

Photographic portraits of some of the 20th century’s most notable artists. More»

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Posted in Behind the Scenes, Getty Research Institute

Treasures from the Vault: 100,000 Pieces of Ephemera Tell the Story of 20th-Century Art

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A massive collection of 20th-century art ephemera is ready for research. More»

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Posted in Getty Research Institute, Research

The Artists the Internet Almost Forgot

Stacey Allan, editor at East of Borneo
Stacey Allan, editor at East of Borneo and organizer of Unforgetting L.A., hosts the first Wikipedia edit-a-thon at the Getty Research Institute.

Building Los Angeles architecture and its architects, one Wikipedia entry at a time. More»

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Posted in Architecture and Design, Getty Research Institute, Research

Wikipedia Edit-a-Thon at the Getty Research Institute to Focus on Architecture and Design

Wikipedia edit-a-thon at the Getty Research Institute

Join us to build a better history of L.A. art through Wikipedia. More»

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      The Flip Side

      An almost 500-year-old plate depicting the abduction of Helen, the trigger for the Trojan War.

      The back records the year it was made, 1534 (MDXXXIIII), along with the artist’s signature and a verse describing the mythological scene on the front. Too beautiful of a plate to be used for dinner!

      06/29/15

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